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Bei Vollmond spricht man nicht - Abenteuerliches und wunderbar kreatives Figurentheater!

Sunday, 3/23/2025 at 4:00 PM

Bei Vollmond spricht man nicht - Abenteuerliches und wunderbar kreatives Figurentheater!

Sunday, 3/23/2025
at 4:00 PM

More on 3/23/2025

Stadttheater Hinterbühne
An der Kalkhütte 2
88131 Lindau

More in Lindau

€ 6.00 to € 8.00

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An exciting journey through a fairy tale land
For audience members aged 5 and up

Adventurous and wonderfully creative puppet theater!

How many times has Princess Lora heard her father say: "Child, one does not speak with a full mouth, don't do this, don't do that." All these instructions really get on her nerves! Lora would much rather go out and explore the world outside the castle walls.

Unfortunately, her father is too busy, only thinking about his crown, and certainly not about his people. And definitely not about his daughter's needs. That's why he doesn't notice when Lora simply sets off one day...

An exciting journey begins through a fairy tale land with dwarfs, a witch, the giant child Mariese, and all sorts of friendly and not so friendly creatures. The princess also meets a prince, and in the end, the father finds his daughter.

Production: Theater Zitadelle
Idea: Daniel Wagner
Directors: Regina Wagner & Team
Set design: Ralf Wagner
Puppets: Mechtild Nienaber, Ralf Wagner

With: Anna Wagner-Fregin, Daniel Wagner

Duration: approx. 50 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

For audience members aged 5 and up

Event data provided by: Reservix

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Jugend ohne Gott - Nach Ödon von Horváth

Thought-provoking, intimate theater addressing a major question: What does fascism do to people?
For audience members aged 14 and above

Horváth's novel "Youth Without God" from 1937, which tells the story of a teacher in the rising National Socialism, is a prescient analysis of a society where values and morals are slipping. Through the exemplary microcosm of a school class, he traces the gradual changes that lead a liberal, democratic society towards coarseness and dictatorship. The teacher Horváth portrays is not a hero. He struggles and wrestles within himself as he tries to assert himself as a sincere individual.

"Youth Without God" addresses questions such as: How does the individual relate to the currents of their time? Or how do they assert themselves in the tension between individualism and opportunism? What values do I stand for?

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Set Design: Janet Kirsten
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Duration: 85 minutes (no intermission)

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Tickets are only available in advance at the city theater.

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Drei Männer und ein Baby - Komödie nach dem Kinohit von Coline Serreau

The film was nominated for an Oscar and received three Césars - the stage adaptation keeps up. The five-member, highly versatile ensemble is bursting with joy of playing!

Jacques, Michel, and Pierre, convinced bachelors and residents of a chic Parisian apartment with frequent female visitors, find a basket with a baby in it at their doorstep one day. The child is allegedly Jacques' daughter Marie. He is now supposed to take care of the little one because her mother Silvia, one of Jacques' many ex-girlfriends, has departed for the USA. A shock for Pierre and Michel, as Jacques is also away, which leaves the two as involuntary and hopelessly overwhelmed babysitters.

Plenty of absurd situational comedy, a mysterious package, visits from crooks and the police - there's no room for boredom on this evening!

Even though gender roles have changed since "Three Men and a Baby" hit cinemas in 1985, the audience still enjoys themselves tremendously and applauds the production.

Production: Touring Theater THESPISKARREN
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Set Design: Loriana Casagrande

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Viertel vor Nacht - Hochpoetisches Kindertheater ohne Worte, mit Live-Musik

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Highly poetic children's theatre without words, with live music.

In the twilight, imagination brings everything to life. Does the colorful carpet dance? Is something silently floating in the room... what is scurrying around there... wondrous, shy, confused, funny, and mischievous? "Something" appears and disappears again. We witness transformations and transitions. Between day and night, fantastic moments emerge between reality and dream.

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Live music and composition: Michael Döhnert

Duration: approx. 40 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

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Play development: Michael Döhnert, Joachim Fleischer, Melanie Florschütz
Artistic direction and lighting: Joachim Fleischer
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Live music and composition: Michael Döhnert

Duration: approx. 40 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

For viewers aged 4 and up

Tickets available only through advance booking at the city theater.

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Theater Zitadelle + Anna Rampe - Bei Vollmond spricht man nicht

An exciting journey through a fairy tale land with dwarfs, a witch, the giant child Mariese, and various friendly and less friendly creatures, for people aged 5 and up.
How often has the princess heard this from her father: "Child, one does not speak with a full mouth." But Princess Lora prefers to hear what she wants to hear. And all those instructions "don't do this, don't do that" really get on her nerves. Lora wants to have adventures and discover the world beyond the castle walls.
Unfortunately, her father is much too busy to notice what his daughter really needs. He only thinks about ruling, but without considering his people and certainly not the needs of his daughter.
And that’s why he doesn’t notice that Lora sets out on a journey to explore the king's realm. She experiences quite a few adventures!
Cast: Anna Wagner-Fregin, Daniel Wagner
Concept: Daniel Wagner
Direction: Regina Wagner and team
Assistant Director: Lea Lechler
Set Design: Ralf Wagner
Characters: Mechtild Nienaber, Ralf Wagner
A production of the Theater Zitadelle
Funded by the Senate Department for Culture and Europe, Berlin

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Krabat - Ein Live-Hörspiel nach Otfried Preußler

A poetic story about courage and coming of age.
For audience members aged 11 and older.

Dreams lure Krabat to the mill in Koselbruch, which everyone warns him about because it is not quite right there. Upon his arrival, the eerie miller takes him on as the twelfth apprentice and promises him an easy and beautiful life. Krabat only realizes later that in the mill, not only grain is ground, but the master also teaches his apprentices in the dark arts. Eagerly, he learns the secrets of black magic from the miller and is fascinated by the power it gives him over others. But the price for it is high. As miller's boys keep mysteriously dying, Krabat finds himself deeply entangled in a web of dependency and seduction. To break free, he must make a difficult and fateful decision.

In this classic of youth literature, Otfried Preußler tells of the seductive powers of power and magic, of loss and betrayal, of courage and one's own responsibility in an authoritarian system. A fairy tale about gaining confidence in one's own strength – and thus the possibility of being free.

"A brilliant performance. (…) Almost forget over the course of the one and a half hours that this should "only" be an audio drama." - Saarbrücker Zeitung

Production: überzwerg, Theater am Kästnerplatz
Stage adaptation & direction: Stephanie Rolser
Costume & set design: Dorota Wünsch

With: Anna Bernstein, Gerrit Bernstein, Eva Coenen, Sabine Merziger, Reinhold Rolser

Duration: approx. 80 minutes (no intermission)

The backstage is not accessible to people with disabilities.

Evening performance available in the outdoor subscription

For audience members aged 11 and older

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Krabat - Ein Live-Hörspiel nach Otfried Preußler

A poetic story about courage and coming of age.
For viewers aged 11 and older.

Dreams lure Krabat to the mill in Koselbruch, which everyone warns against because it is not quite right there. Upon his arrival, the eerie master of the mill takes him on as the twelfth apprentice and promises him an easy and beautiful life. Krabat only later realizes that in the mill, not only grain is ground, but the master also teaches his apprentices in dark arts. Eagerly, he learns from the miller master the secrets of black magic and is fascinated by the power he gains over others with it. But the price for this is high. As miller boys keep mysteriously dying, Krabat finds himself deeply entangled in a web of dependency and seduction. To free himself from it, he must make a difficult and far-reaching decision.

Otfried Preußler tells in this classic of youth literature about the seductive powers of power and magic, about loss and betrayal, about courage and one's own responsibility in an authoritarian system. A fairy tale about gaining trust in one's own strength – and thereby the possibility of being free.

"A brilliant performance. (...) Almost forget during the one and a half hours that this is 'only' supposed to be a radio play." – Saarbrücker Zeitung

Production: überzwerg, Theater am Kästnerplatz
Stage adaptation & direction: Stephanie Rolser
Costume & set design: Dorota Wünsch

With: Anna Bernstein, Gerrit Bernstein, Eva Coenen, Sabine Merziger, Reinhold Rolser

Duration: approx. 80 minutes (no intermission)

The backstage area is not accessible to people with disabilities.

Evening performance in an outdoor subscription selectable

For viewers aged 11 and older

Tickets only available in pre-sale at the city theater

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Krabat - Ein Live-Hörspiel nach Otfried Preußler

A poetic story about courage and coming of age.
For audience members aged 11 and older.

Dreams lure Krabat to the mill in Koselbruch, which everyone warns him about because it is not quite right there. Upon his arrival, the eerie miller takes him on as the twelfth apprentice and promises him an easy and beautiful life. Krabat only realizes later that in the mill, not only grain is ground, but the master also teaches his apprentices in the dark arts. Eagerly, he learns the secrets of black magic from the miller and is fascinated by the power it gives him over others. But the price for it is high. As miller's boys keep mysteriously dying, Krabat finds himself deeply entangled in a web of dependency and seduction. To break free, he must make a difficult and fateful decision.

In this classic of youth literature, Otfried Preußler tells of the seductive powers of power and magic, of loss and betrayal, of courage and one's own responsibility in an authoritarian system. A fairy tale about gaining confidence in one's own strength – and thus the possibility of being free.

"A brilliant performance. (…) Almost forget over the course of the one and a half hours that this should "only" be an audio drama." - Saarbrücker Zeitung

Production: überzwerg, Theater am Kästnerplatz
Stage adaptation & direction: Stephanie Rolser
Costume & set design: Dorota Wünsch

With: Anna Bernstein, Gerrit Bernstein, Eva Coenen, Sabine Merziger, Reinhold Rolser

Duration: approx. 80 minutes (no intermission)

The backstage is not accessible to people with disabilities.

Evening performance available in the outdoor subscription

For audience members aged 11 and older

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2/14/2025
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Kommissarin Flunke und die Schurken - Ein musikalischer Krimi für die ganze Familie

A musical crime story for the whole family.
For viewers aged 5 and above

How does making music together work? Do you really only need the notes for that? Or is there something else – something really important?

It seems like the four villains have lost this important something. They play what is written in the notes, but what comes out of it sounds awful! And there's a concert today. Help is needed!

The famous music inspector Flunke may not know who the villains really are – but she knows about music. The clever detective follows every hot lead with her secure musical instinct. Can she solve the tricky case? She must first teach the rough guys essential skills like tuning the instruments, proper breathing, a common rhythm, and listening to each other. And because they can be quite slow on the uptake, she urgently needs the help of the audience!

A humorous and adventurous hour of music theater.

Production: Die Schurken
Libretto & Direction: Teresita Colloredo
Music: Murat Üstün

With:
Lilian Genn (Inspector Flunke)
Die Schurken
Martin Deuring (Double Bass)
Martin Schelling (Clarinet)
Goran Kovacevic (Accordion)
Stefan Dünser (Trumpet)

Duration: 50 minutes (no intermission)

For viewers aged 5 and above

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2/16/2025
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Kommissarin Flunke und die Schurken - Ein musikalischer Krimi für die ganze Familie

A musical mystery for the whole family.
For viewers ages 5 and up.

How does playing music together work? Do you really just need the notes for that? Or is there something else - something really important?

The four villains seem to have lost this important something. They play what's written in the notes, but what comes out sounds terrible! And there is a concert today. Help is needed!

The famous music commissioner Flunke may not know who the villains really are - but she knows about music. The smart detective follows every hot lead with her secure musical instinct. Can she solve the tricky case? She must teach the rough guys essential skills like tuning the instruments, proper breathing, a common rhythm, and listening to each other again. And because they can sometimes be quite slow on the uptake, she urgently needs the audience's help!

A humorous and adventurous hour of music theater.

Production: The Villains
Libretto & Direction: Teresita Colloredo
Music: Murat Üstün

With:
Lilian Genn (Commissioner Flunke)
The Villains
Martin Deuring (Double Bass)
Martin Schelling (Clarinet)
Goran Kovacevic (Accordion)
Stefan Dünser (Trumpet)

Duration: 50 minutes (no intermission)

For viewers ages 5 and up

Tickets only available in advance from the city theater.

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Christian Zacharias - "Moments Musicaux"

His piano recitals are becoming rarer - don't miss this century pianist!

Christian Zacharias is the storyteller among the conductors and pianists of his generation. In every one of his thoughtful, detailed, and clearly articulated interpretations, it is evident that Zacharias is interested in what lies behind the notes. With a unique combination of integrity and individuality, brilliant linguistic expressiveness, deep musical understanding and a secure artistic instinct, as well as his charismatic and engaging personality, Christian Zacharias has established himself not only as a world-leading pianist and conductor, but also as a musical thinker. Numerous acclaimed concerts with the world's finest orchestras, outstanding conductors, and multiple accolades and recordings distinguish his international career.

"A man, a piano - and the world around can safely sink. Because Christian Zacharias can perform magic (...)." - Berner Zeitung

Program:
Franz Schubert (1797–1828): Moments Musicaux, D 780
Joseph Haydn (1732–1809): Piano Sonata in C Major, Hob. XVI:48
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Francis Poulenc (1899–1963): Mouvements Perpétuels / Improvisation 13 / Improvisation 15 Hommage à Edith Piaf / Mélancolie
Domenico Scarlatti (1685–1757): Sonata in C Minor, K.158

With: Christian Zacharias (Piano)

Concert subscription
Selectable in the outdoor subscription

Lindau

2/19/2025
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Birgit Minichmayr - Die souveräne Leserin

A declaration of love for reading and for the Queen.

Who would have thought that a declaration of love for the Queen and literature would fit so well together? The dogs are to blame. While out for a walk with the Queen, they run off to bark at the district library's bookmobile parked weekly in one of the palace courtyards. Ma'am is too well-mannered not to apologize to the librarian, borrows a book – also out of politeness –...and gets hooked.

The effects of the majestic reading pleasure are unpredictable, the very foundations of Buckingham Palace are certainly shaken, and there won't be a dry eye among the audience.
Birgit Minichmayr is one of the "best and most excessive actresses of her generation." Countertenor Alois Mühlbacher and the Sonare string quartet accompany with music from old and new England including pieces by Dowland, Purcell, Elgar, Britten, Queen, and the Beatles.

Featuring: Birgit Minichmayr (Language), Alois Mühlbacher (Countertenor)

Sonare String Quartet: Peter Gillmayr (Violin), Kathrin Lenzenweger (Violin), Christoph Lenz (Viola), Judith Bik (Cello).

Ring A – Adventurer
Included in the outdoor subscription.

Lindau

2/23/2025
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Das Rote vom Ei - Drei szenische Zuspitzungen von Gertraud Klemm, Gabriele Kögl und Grischka Voss

Unwanted pregnancy, abortion, reproductive self-determination - the heroldfliri.at boldly tackles a hot topic and opens up new perspectives.
For viewers aged 16 and above.

Three powerful Austrian authors delve into a sensitive, contentious, and highly political issue through literary sharpness.

Gabriele Kögl puts the hypocrisy and paradox of the pro-life movement at the center of her grotesque piece, in which the arguments learned by a declared anti-abortionist founder on her own life situation.

Grischka Voss portrays, in the form of a "nightmare" with its absurdities and exaggerations, the struggles women face when they do not perceive motherhood as their individual destiny.

In Gertraud Klemm's work, the waiting room of a practice becomes a space for philosophical debates between genders. A cleaning lady as the master of ceremonies in the gynecological department assists a patient by engaging in a fiercely comedic clash with unwavering male authorities.

The three renowned writers unfold various facets of the emotional issue with crude humor and razor-sharp intellect, decisively putting forth their feminist perspectives for discussion.

Production: dieheroldfliri.at
Director: Barbara Herold
Stage and Video: Caro Stark
Costume: Bettina Henning
Choreography: Anne Thaeter

With: Maria Fliri, Sarah Zaharanski, Peter Bocek

Not part of the subscription
Selectable with the Outdoor Subscription

For viewers aged 16 and above

Lindau

3/8/2025
7:30 PM

David Castro-Balbi & CHAARTS - "American Beauty"

A tribute to the rich musical heritage of North and South America.

Very American? Those who ask about the "real" American music have a problem. Which America, North or South, songs or film music, ballads or Broadway? This concert shows a small glimpse of this huge spectrum.

Antonín Dvorák's string quintet resonates with his connection to nature and his inclination towards sophisticated folklore. A musical reflection of his joy for the Bohemian compatriots in the US town of Spillville, where the composer spent the summer months of 1893 with his family.

George Gershwin's career unfolds as a classic American success story – from dishwasher to millionaire. Along with his brother Ira, he wrote America's first opera: "Porgy and Bess". At the peak of his career – not even 40 years old – Gershwin passed away. But his music is immortal and successful to this day.

Astor Piazzolla went to New York and later to Paris to become a classical composer. Fortunately, his teacher Nadia Boulanger "redirected" him back to his musical origins, the Tango – making him one of the greatest composers of South America. His "Four Seasons" are the essence of his genius. Piazzolla wanted to symbolize the pulse of the big city: his music brings bourgeois Buenos Aires to life before our eyes, condensing into a new tango, the soul of the city.

The press praises Castro-Balbi's virtuosity and his "nobly flowing, warm singing."

Program:
Antonín Dvorák (1841–1904): String Quintet op. 97, "American"
George Gershwin (1808–1937): 3 Préludes & An American in Paris
Astor Piazzolla (1921–1992): Las Cuatro Estaciones Porteñas (The Four Seasons of Buenos Aires)

With: David Castro-Balbi (violin)
CHAARTS

Concert subscription
Can be chosen as part of the open-air subscription

Lindau

3/13/2025
7:30 PM

Nicht Maria Stuart - Frei nach Friedrich Schiller

Musical, "One-Woman-Show," and gripping political and psycho-drama! Birgit Reutter shines in this theater project!

Starting from Schiller's "Maria Stuart," Birgit Reutter has written this evening for herself. She has shifted the focus to Mary's adversary, English Queen Elizabeth I, "Not Maria Stuart."

The fates of both queens are inseparably linked, their destinies show many parallels. But while Elizabeth was always careful to make politics, to be on good terms with her people, and to put her personal life in the background, Mary followed her heart, let herself be guided by emotions, and took the liberty to be a woman.

The Schillerian material is interwoven with original letters from the two protagonists and spiced up with pop and musical songs, some of which Reutter has given new lyrics to. Those who remember "Arizona" know what she is capable of - she acts, sings, dances, and effortlessly manages to let the audience slide from one emotion to another. Curiously, it is precisely the songs that give the piece great depth. From Madonna's "Like a Virgin" to "Maria" from West Side Story to Barbara Streisand's "Free again," everything is included.

"The audience celebrated Reutter's performance euphorically!" Allgäuer Zeitung

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Idea & Concept: Birgit Reutter
Director: Wolfgang Seidenberg
Musical Direction & Piano: Christoph Weinhart
Choreography: Ramses Sigl
Set Design: Sabina Scholz
Costumes: Marietta Emtmann, Karin Kirschenbauer

With: Birgit Reutter, Marina Schmitz, Wolfgang Seidenberg

The backstage area is not barrier-free accessible.

Ring C - Explorer
Can be selected in the open subscription.

Lindau

3/19/2025
7:30 PM

Nicht Maria Stuart - Frei nach Friedrich Schiller

Musical, "One-Woman-Show" and gripping political and psycho-drama! Birgit Reutter shines in this theater project!

Based on Schiller's "Maria Stuart," Birgit Reutter has written this evening specifically for herself. She has shifted the focus to Mary's opponent, the English Queen Elizabeth I. – "Nicht Maria Stuart."

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"The audience celebrated Reutter's performance enthusiastically!" Allgäuer Zeitung

Production: T:K, Theater in Kempten
Idea & Concept: Birgit Reutter
Direction: Wolfgang Seidenberg
Musical Direction & Piano: Christoph Weinhart
Choreography: Ramses Sigl
Stage: Sabina Scholz
Costumes: Marietta Emtmann, Karin Kirschenbauer

With: Birgit Reutter, Marina Schmitz, Wolfgang Seidenberg

The backstage is not wheelchair accessible.

Ring C – Discoverer
Available in the open subscription

No tickets available, remaining tickets may be available at the box office

Lindau

3/20/2025
7:30 PM

Nicht Maria Stuart - Frei nach Friedrich Schiller

Musical, "One-Woman-Show" and gripping political and psycho-drama! Birgit Reutter shines in this theater project!

Based on Schiller's "Maria Stuart," Birgit Reutter has written this evening specifically for herself. She has shifted the focus to Mary's opponent, the English Queen Elizabeth I. – "Nicht Maria Stuart."

The fates of the two queens are inextricably linked, their destinies show many parallels. However, while Elizabeth was always keen on doing politics, maintaining a good relationship with her people, and putting her private life on the back burner, Mary followed her heart, was guided by emotions, and claimed the right to be a woman.

The Schiller material is interwoven with original letters from both protagonists and spiced up with pop and musical songs, to which Reutter has partially added new lyrics. Those who remember "Arizona" know what she can do – she acts, sings, dances, and seamlessly slides the audience from one emotion to another. Curiously, it is the songs that give the piece great depth. From "Like a Virgin" by Madonna to "Maria" from West Side Story and "Free again" by Barbara Streisand, everything is included.

"The audience celebrated Reutter's performance enthusiastically!" Allgäuer Zeitung

Production: T:K, Theater in Kempten
Idea & Concept: Birgit Reutter
Direction: Wolfgang Seidenberg
Musical Direction & Piano: Christoph Weinhart
Choreography: Ramses Sigl
Stage: Sabina Scholz
Costumes: Marietta Emtmann, Karin Kirschenbauer

With: Birgit Reutter, Marina Schmitz, Wolfgang Seidenberg

The backstage is not wheelchair accessible.

Ring C – Discoverer
Available in the open subscription

No tickets available, remaining tickets may be available at the box office

Lindau

3/21/2025
7:30 PM

Owls - "Wendolins Monocle"

"A Revelation!" – Jazz Magazine

With "Wendolins Monocle," Owls once again embark on a path that demonstrates their unbroken commitment to sound aesthetics, and more. Proficient in the idioms of European jazz, the trio celebrates a cinematic and open sound that invites listeners to follow the sophisticated melodic phrases and rich harmonies, melting into the soundscapes. They turn their pieces into unique experiences and create their own musical language, one of captivating, timeless sonic variety. By incorporating modern techniques such as electroacoustic sound processing, muted piano, looping and effects, as well as sampling sounds from nature, the otherwise traditional trio format is embedded into a contemporary sonic experience and wonderfully lifted from its purely classical form.

"A wonderfully atmospheric and timeless jazz sound that tells its story in a melodious and remarkably varied way (...)." - Michael Terna

Featuring:
Simon Oberleitner (piano and electroacoustics)
Andreas Wälti (double bass)
Konstantin Kräutler-Horváth (drums and sampling)

feat.
Herbert Walser-Breuß (cornet, trumpet, live electronics)
Veronika Morscher (vocals)

In cooperation with Jazzclub Lindau

Selectable in the open subscription

The backstage area is not barrier-free accessible.

In cooperation with Jazzclub Lindau (B)

Lindau

3/22/2025
7:30 PM

Bei Vollmond spricht man nicht - Abenteuerliches und wunderbar kreatives Figurentheater!

An exciting journey through a fairy tale land
For audience members aged 5 and up

Adventurous and wonderfully creative puppet theater!

How many times has Princess Lora heard her father say: "Child, one does not speak with a full mouth, don't do this, don't do that." All these instructions really get on her nerves! Lora would much rather go out and explore the world outside the castle walls.

Unfortunately, her father is too busy, only thinking about his crown, and certainly not about his people. And definitely not about his daughter's needs. That's why he doesn't notice when Lora simply sets off one day...

An exciting journey begins through a fairy tale land with dwarfs, a witch, the giant child Mariese, and all sorts of friendly and not so friendly creatures. The princess also meets a prince, and in the end, the father finds his daughter.

Production: Theater Zitadelle
Idea: Daniel Wagner
Directors: Regina Wagner & Team
Set design: Ralf Wagner
Puppets: Mechtild Nienaber, Ralf Wagner

With: Anna Wagner-Fregin, Daniel Wagner

Duration: approx. 50 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

For audience members aged 5 and up

Lindau

3/23/2025
4:00 PM

Bei Vollmond spricht man nicht - Abenteuerliches und wunderbar kreatives Figurentheater!

An exciting journey through a fairy tale land
For audience members aged 5 and up

Adventurous and wonderfully creative puppet theater!

How many times has Princess Lora heard her father say: "Child, one does not speak with a full mouth, don't do this, don't do that." All these instructions really get on her nerves! Lora would much rather go out and explore the world outside the castle walls.

Unfortunately, her father is too busy, only thinking about his crown, and certainly not about his people. And definitely not about his daughter's needs. That's why he doesn't notice when Lora simply sets off one day...

An exciting journey begins through a fairy tale land with dwarfs, a witch, the giant child Mariese, and all sorts of friendly and not so friendly creatures. The princess also meets a prince, and in the end, the father finds his daughter.

Production: Theater Zitadelle
Idea: Daniel Wagner
Directors: Regina Wagner & Team
Set design: Ralf Wagner
Puppets: Mechtild Nienaber, Ralf Wagner

With: Anna Wagner-Fregin, Daniel Wagner

Duration: approx. 50 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

For audience members aged 5 and up

Lindau

3/23/2025
2:00 PM

Bei Vollmond spricht man nicht - Abenteuerliches und wunderbar kreatives Figurentheater!

An exciting journey through a fairytale land
For audience members aged 5 and up

Adventurous and wonderfully creative puppet theater!

How many times has Princess Lora heard this from her father: "Child, one does not speak with a full mouth, don't do this, don't do that." All these instructions are getting on her nerves! Lora would much rather go out and discover the world beyond the castle walls.

Unfortunately, her father is too busy, only thinking about his crown, and not about his people. And certainly not about the needs of his daughter. That's why he doesn't notice one day when Lora simply walks away...

An exciting journey through a fairytale land begins with dwarfs, a witch, the giant child Mariese, and all sorts of friendly and not-so-friendly creatures. The princess also meets a prince, and in the end, the father finds his daughter.

Production: Theater Zitadelle
Idea: Daniel Wagner
Directors: Regina Wagner & Team
Set Design: Ralf Wagner
Puppets: Mechtild Nienaber, Ralf Wagner

With: Anna Wagner-Freding, Daniel Wagner

Duration: approx. 50 minutes (no intermission)

The backstage area is not accessible for people with disabilities.

For audience members aged 5 and up

Tickets are only available in advance at the city theater.

Lindau

3/24/2025
11:30 AM

Philipp Hochmair - Der Hagestolz

Philipp Hochmair – a literary rockstar!

A young man sets out on his journey. Joyful, enthusiastic, hopeful. Life lies ahead of him. Raised by a foster mother, cradled in affection and love, Victor, the youthful protagonist in Stifter's “Hagestolz,” seeks to uncover the secrets of his family history. He encounters his uncle, a bitter, gaunt old man who has closed himself off from love…

This narrative is almost a psycho-thriller, confronting the greatest possible opposites in the shape of Victor and his uncle. It poses the very big, existential questions of life – about meaning, joy, and our goals.

“The exceptional Austrian actor has a special gift for conveying world literature. His performances of Goethe's Werther, Schiller's ballads, and his version of Hofmannsthal's “Jedermann” guarantee sold-out houses. Blockbuster potential. Now he has taken on Stifter, and his interpretation has the potential to become the next blockbuster… Cheers!” Kurier

In the summer of 2024, Philipp Hochmair will once again play Jedermann at the Salzburg Festival.

With: Philipp Hochmair
Die Elektrohand Gottes: Fritz Rainer (drums, electronics, arrangement) Hanns Clasen (arrangement, guitar, sound and light design)

Ring D – Classics & Modern
Selectable in the outdoor subscription

No tickets available, remaining tickets may be available at the box office

Lindau

3/16/2025
7:30 PM

Philipp Hochmair - Der Hagestolz

Philipp Hochmair – a literary rockstar!

A young man sets out on his journey. Joyful, enthusiastic, hopeful. Life lies ahead of him. Raised by a foster mother, cradled in affection and love, Victor, the youthful protagonist in Stifter's “Hagestolz,” seeks to uncover the secrets of his family history. He encounters his uncle, a bitter, gaunt old man who has closed himself off from love…

This narrative is almost a psycho-thriller, confronting the greatest possible opposites in the shape of Victor and his uncle. It poses the very big, existential questions of life – about meaning, joy, and our goals.

“The exceptional Austrian actor has a special gift for conveying world literature. His performances of Goethe's Werther, Schiller's ballads, and his version of Hofmannsthal's “Jedermann” guarantee sold-out houses. Blockbuster potential. Now he has taken on Stifter, and his interpretation has the potential to become the next blockbuster… Cheers!” Kurier

In the summer of 2024, Philipp Hochmair will once again play Jedermann at the Salzburg Festival.

With: Philipp Hochmair
Die Elektrohand Gottes: Fritz Rainer (drums, electronics, arrangement) Hanns Clasen (arrangement, guitar, sound and light design)

Ring D – Classics & Modern
Selectable in the outdoor subscription

No tickets available, remaining tickets may be available at the box office

Lindau

4/2/2025
7:30 PM

Familie Flöz - Feste

Atmospherically strong Flöz production with its very own mix of poetry and gentle magic - a fairy tale without words for adults.

In a stately house by the sea, a wedding is supposed to take place. In the back, in the dark courtyard, there is great excitement: deliveries are made, cleaning, tidying up, guarding, and disposing. Sentenced to stand in the background, the servants struggle amidst the hustle and bustle of preparations for the grand celebration for their dignity and respect from the strong and wealthy.

Suddenly, a strange woman appears. Pregnant and laden with a heavy backpack, she seeks refuge in the courtyard. In exchange for protection and the essentials, she discreetly offers her help, and as if by magic, everything changes. Rigidity gives way to flexibility, unattainable wishes become reality, and panic attacks are soothed by the power of new life.

FESTE is a poetic blend of bitter tragedy and slapstick. A tragicomic story about the pursuit of individual happiness.

"It's hard to believe: in the end, there are actually only three actors on stage. (...) As always, when the mask theater Familie Flöz (...) performs, the audience was once again enthusiastic." - RP Online

Production: Familie Flöz
In cooperation with: Theaterhaus Stuttgart, Theater Duisburg, and Lessing Theater Wolfenbüttel

By: Andres Angulo, Björn Leese, Johannes Stubenvoll, Thomas van Ouwerkerk, Michael Vogel

With: Andres Angulo, Johannes Stubenvoll, Thomas van Ouwerkerk

Direction: Michael Vogel | Co-Director: Björn Leese
Masks: Hajo Schüler
Costumes: Mascha Schubert
Set Design: Felix Nolze (rotes pferd)
Music: Maraike Brüning, Benjamin Reber

Funded by the Hauptstadtkulturfonds

Not available in subscription
Selectable in the open subscription

Lindau

4/5/2025
7:30 PM

Double Drums - All you can BEAT

Sound experiences full of magic and surprises!

In the beginning was the rhythm – that's how it was for the two. Even as children, Philipp Jungk and Alexander Glöggler searched the kitchen for pots and built a small drum set out of them – basically, they still do that today. However, now it's on a worldwide scale, with multiple awards, performing together or with large orchestras! The boundaries blur between classical, groove, ambition, and entertainment.

Their new program All you can BEAT promises a unique percussion experience. The duo transforms everyday objects like garbage cans, gasoline cans, and traffic signs into captivating beats. At the same time, they make the entire world of percussion instruments, from vibraphone to marimbaphone, shine in a new light. They will present original compositions as well as global hits like Enjoy the Silence, Nothing else matters, or film music from Das Boot or Star Wars in completely novel, surprising versions.

Alex Glöggler and Philipp Jungk turn their stage into a place where the rhythm of everyday life becomes a hypnotic symphony. The energy and joy of playing from these two likable drummers transfers to the audience from the very first second — regardless of age. It's this mix of impressive precision, creativity, and engaging entertainment that makes the Double Drums program perhaps the most diverse percussion show in Europe — it is, as the Süddeutsche Zeitung titled it, simply "more than just Bum-Bum-Tschak." With always new, unexpected twists, DOUBLE DRUMS surprises their audience and offers a performance that is bursting with energy, captivating music, interaction, and humor.

Let DOUBLE DRUMS take you into a world full of rhythm!

“The ultimate percussion spectacle currently comes from Munich” Berliner Tagespiegel

With: Alexander Glöggler & Philipp Jungk (Percussion)

Outside subscription
Available in outdoor subscription

Lindau

4/20/2025
8:30 PM

Internationales Klavierfestival junger Meister - "Young Spirit - Skilled Hands"

For the 27th time, the International Festival Young Masters takes place in the Lake Constance region!

In 2020, Peter Vogel developed a new project. Under the motto "Young Spirit - Skilled Hands" internationally renowned artists and selected young masters come together, rehearse extensively, discuss stylistic and interpretive aspects of the works, and finally perform together on multiple occasions. The established musicians act as instructors, sharing their many years of experience. On the other hand, they engage as equal partners in chamber music with the highly talented students - winners of prestigious international competitions - who contribute technical brilliance, curiosity, freshness, and youthful enthusiasm.

The audience and the press were thrilled by the new format. The Memminger Zeitung wrote under the headline "With gripping intensity" in its title about "acclaim for brilliant collaboration between renowned and young masters." The Schwäbische Zeitung stated in the cultural section, among other things: "The 'young spirit' in the sense of the joy of discovery and making music ideally remains with all musicians, and 'skilled hands' are also possessed by the young ones who present themselves very successfully at international competitions and festivals. Chamber music connects performers of all ages and experience levels."

The exact lineup and program will be announced later.

The founder and artistic director of the International Festival Young Masters and birdmusic is Peter Vogel.

Except for subscription
Option available in the Open-Air subscription

Lindau

4/24/2025
8:00 PM

Küss langsam - Comedy-Schauspiel von Michael Ehnert

An equally breathtaking and comical tour de force through the male and female images of our time.

In film and television, love stories always end at the moment of highest happiness: embrace, deep gaze into the eyes, long kiss, great sex, and then - cut! Unfortunately, we never find out how the envy-inducing dream couples deal with the subsequent everyday relationship struggles. The bitter truth is: They don't handle it! Just like everyone else, dream couple or not. And so, the dreamy romance of Michael and Jennifer Ehnert also ends in front of the divorce judge.

Unfortunately, the embattled couple must wait for two more hours before an official end is drawn under their marital war, as a whole hall of divorcees is ahead of them in line. Enough time for the two to review how it all began - and how it all fell apart.

The audience witnesses a ludicrous love relationship with verbal bullets on the wayside, dialogues like landmines, and an inexhaustible cornucopia of meanness and insults.

"Never before have we so gladly watched a couple argue as we did during the relationship action comedy KÜSS LANGSAM! What Michael and Jennifer Ehnert delivered was truly spectacular! (...) Five out of five stars!" Hamburger Morgenpost

"A rapid action comedy & emotional rollercoaster ride!" Bonner Rundschau

Production: Hamburger Kammerspiele
Director: Martin Maria Blau

With: Jennifer Ehnert & Michael Ehnert

Ring C - Discoverer
Selectable in the Open Subscription

Lindau

4/27/2025
8:30 PM

Otrava - "Spielfreude"

Stirring "klezmer-Balkan stew" that is truly enjoyable!

This young and diverse ensemble, composed of instruments of various colors, has something to say! Classically trained, Otrava has early on tasted the music of the wide world. They met in the youth orchestra before setting out to create their very own and special concerts.

Now, after years of friendship and more than "111" concerts at parties, bars, restaurants, festivals, and open-air events, the musicians of Otrava venture into new territory, experimenting with new line-ups, new repertoire, and new sounds. Their music is a blend of Balkan folk music, Klezmer, original compositions, and Roma songs. It unleashes a wild firework of joy and virtuosity, as well as melancholy, heartache, and the longing of lost love. There are beats to dance to, melodies to indulge in, pounding hearts, sparkling joy in playing, and a twinkle in the eye.

The musicians introduce their musical pieces and talk about their background.

Featuring: Otrava
Antony Burkhard (clarinet)
Mischa Tapernoux (violin, vocals)
Romain Nussbaumer (trombone)
Lukas Eugster (guitar)
Florian Pezzatti (accordion)
Caspar Streit (double bass)
Yves Ehrsam (drums, vocals)
Raphael Zuzak (percussion)

Concert Subscription
Subscription available for outdoor performances

Lindau

5/1/2025
8:00 PM

Medea - nach Euripides

A thrilling production that gets under your skin.

Medea helped Jason in her homeland Colchis, protected him, and killed for him. He promised to love her and to live with her. They flee together to his homeland Corinth and live there on the outskirts of society, which does not accept Medea, the outsider, the barbarian, as an equal, while she welcomes Jason, the Greek hero, as one of her own. Nevertheless, the two live there peacefully for ten years with their two children until Jason, without Medea's knowledge, marries the king's daughter to rise socially.

This shakes Medea to the core of her being. The pain of the broken vow, her disappointment, and her boundless rage she negotiates publicly. She takes the audience with her in her struggle for justice to a point where even her closest confidante can no longer follow her: the murder of her own children to completely destroy Jason.

The story of Medea and Jason fascinates over the centuries: a love as great as that of Romeo and Juliet, and which also leads to catastrophe. Woman and man, love and calculation, home and alienation, right and wrong, these are the themes of the play, which begins with a promise that is broken.

Production: bremer shakespeare company
Text adaptation & direction: Petra-Janina Schultz
Stage & costumes: Rike Schimitschek
Choreography: Leila Bakhtali

With: Svea Auerbach, Michael Meyer, Ulrike Knospe, Markus Seuß Choir: Michael Csont, Karin Dörpmund, Fabi Heuermann, Anja Hölscher, Larissa Kroll, Sandra Luther, Julia Odermatt, Bettina Renken, Nastja Roeseler, Pia Schreiber, Steph Seumer, Melanie Tröster, Dine Urbons, Doris Wind

Ring D – Classics & Modern
Available in the outdoor subscription

Lindau

5/18/2025
7:30 PM

Tango de Amor - Musiktheater nach der Novelle von Esther Vilar - Veranstaltung im Rahmen des Bodenseefestivals

How much freedom does a love need so that the passion for one another does not fade away? Can a love even exist without freedom?

“The only man I ever wanted in my life, I nearly got again and again. How much I would have liked to lay my sacred freedom at his feet. He didn’t want it.”

The narrator in Esther Vilar's novella not only tries to delve into the vibrant zest for life that is inherent in tango music, but as a former mathematics professor, meticulously searches for a mathematical formula for “lasting passion.” For this, she focuses on the highly prominent love couple in Buenos Aires, Chucho Santelmo – one of the most successful tango musicians of all time – and his lover Nina Gluckstein. The two seem to maintain their passionate relationship at the height of love's happiness for many years. For Nina Gluckstein, there is indeed a sure way to bind Chucho Santelmo to her: under no circumstances must she show him that she wants to bind him to her. But the price for this is high!

The well-rehearsed stage duo Annette Wunsch and Goran Kovacevic will take you on a musical-literary evening to Buenos Aires, the capital of tango, exploring the winding paths of love.

“A delightful theater evening, both visually and intellectually and musically, that provoked very intense reflection. Love knows no balance. We have all had to experience this.” (Glarner Agenda, Eva Gallati)

Production: wunsch#produktion
Concept and Dramaturgy: Annette Wunsch
Musical Concept: Goran Kovacevic

With:
Annette Wunsch (acting)
Goran Kovacevic (accordion)

Event as part of the Bodensee Festival.

“The Mathematics of Nina Gluckstein”

Lindau

6/5/2025
7:30 PM

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