Kunsthalle Mainz

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

Again and again, there have been countermodels to the prevailing canon and the crisis-ridden state of affairs in the history of art. Even today, artists call for breaking rigid thought patterns and expanding consciousness in order to create future visions that lie beyond the limitations of the present.
In the dream state, different realities interact with each other. Compared to what one allows in the conscious waking state, a freer form of perception and knowledge production takes place. There are time jumps, connections between different places – through the power of the subconscious and imagination, alternative realities and utopian future spaces emerge. Engaging with our dreams reveals our joys, fears, and hopes.
In the exhibition What is the dream that makes you dream? dreaming is examined as a path to deeper levels of consciousness. Amid multiple global crises and disturbing news that we receive every day, What is the dream that makes you dream? consciously focuses on optimistic counterpoints that suggest hope, resilience, and healing.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.

In performative video works, some of them community productions with Tiago Mata Machado, the Brazilian artist Cinthia Marcelle isolates everyday, routine movements and work processes from their functional and production-oriented context. The mostly collaboratively participatory situations are transformed into poetic, metaphorical images that put established routines of social interaction and a performance-oriented logic of modern societies into question.

The exhibition Bodies in Motion – Form in the Making contextualizes the performative, mostly based on simple action instructions performance-based video works of Cinthia Marcelle for the first time with icons of the American post-minimalist dance and performance practice of the 1960s/70s such as Yvonne Rainer, Bruce Nauman, Suzanne Harris, and the performative-participatory approach of the minimalist sculptures of the German artist Charlotte Posenenske.

The exhibition is curated by Anna Roberta Goetz.