Sunday, 1/26/2025
at 7:00 PM


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In HOKUS POKUS, the ensemble explores the question of what kind of stories can help us navigate through times of loss and disorientation. If we claim that the roots of today's crises lie in the stories we have told ourselves, then could there also be hope that storytelling might play a role in how we find paths through these crises? One of the problems that religious myths must solve is that they cannot allow for the idea of humans being born 'naturally' as children, as a child alone would not be able to survive. Thus, the 'first human' always appears fully formed, whether created by a deity or grown from an animal or tree. Just as humans violate divine commandments, the figures who do not adhere to the rules of the game also transgress boundaries. While the play of the masked figures is without dialogue, in terms of being 'without text,' in HOKUS POKUS, the real children of the performers give voices to the piece. The mundane lives of the performers break through the voices of the children into the play. They ask questions, have their own perspectives, may disagree, or simply want their mother or father to come home. The children counteract the creative work of their parents, pulling them back into life, and remain part of both worlds, the real and the artificial.

When asked what art is, the Italian theater maker Roberto Ciulli answers: "To create something in competition with God, something that God forgot to make." This could also be a work motto for.

Event data provided by: Reservix

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