19:00

Eva Eiselt is no longer a hidden gem. She has already cleared the prices for household appliances from the Stuttgart broom to the St. Ingbert frying pan, and so the current holder of the German Cabaret Prize energetically jumps onto the stage and simultaneously feeds several kilowatt-hours into our mental power grid.
In her brand-new program, she joyfully approaches boundaries, crosses them, dissolves them - always playful, witty, and surprising, with a tendency towards heavy lightness.
“Jetzt oder Sie” - when is now, and who is she? How wonderful it would be to be independent and free! Yet we are already dependent on freedom! Nevertheless, Eva Eiselt remains her own master - and that as a woman - and gives everything for what we urgently need time and again: A lovely evening!

19:30

Pop, choir, emotions. The pop choir "nolimit," founded in 2007 in Ennigerloh, covers hits and classics – a cappella or with accompaniment – from Coldplay to Ed Sheeran, from Sarah Connor to Herbert Grönemeyer.
And it does so with great success: nolimit is among the best and most popular pop choirs in NRW. This is evidenced by numerous awards and many sold-out concerts.
The more than fifty singers come from the districts of Warendorf and Gütersloh. The ensemble is led by Andreas Warschkow, who also writes most of the arrangements for his choir.

19:30

What all will have happened?
Someone will have become Chancellor, and it won’t be the ex-traffic light politician, not the kitchen table philosopher, and not even Dieter Bohlen. It will have been a carnival election campaign, at least in terms of the calendar.
Furthermore, someone will have become German champion, and it will not be 1. FC Köln, not SV 09/35 Wermelskirchen, and also not Christian Lindner. If Lindner will become anything at all, then the performer of this annual review will eat a vacuum cleaner live on stage or appear in pink clogs.
Speaking of colors: The orange one with the yellow ferret on his head will have been incarcerated as US President - no, inaugurated, that’s right. He only had those two options.
We know all this, but what else was there? Fortunately, Thilo Seibel has remembered everything for you and crafted a political annual review out of it. There are three things that are certain: 1. The round on Markus Lanz features distinguished guests on stage. 2. With "Schon rum?!" Thilo Seibel will have created an extremely entertaining evening from what may not have been the most pleasant year. And, most importantly, 3.: When we look back on the year, we will have weathered it well!

7:30 PM

Charlotte Kuffer - Flute
Irena Josifoska - Cello
Viktor Soos - Piano

Program: "Classics meets Tango"
Carl Maria von Weber: Trio for Pianoforte, Flute and Cello op. 63 G minor
Philippe Gaubert: "Trois Aquarelles"
Astor Piazzolla: From: "Las Cuatro Estaciones porteñas" - "The Four Seasons"
Nikolai Kapustin: Trio for Flute, Cello and Piano op. 86

Charlotte Kuffer is currently studying at the Mozarteum Salzburg with Michael Martin Kofler, previously at the University of Music and Performing Arts Munich with Andrea Lieberknecht. In recognition of her special successes at the Federal Competition Jugend musiziert, she was awarded a grant from the Marie-Luise Imbusch Foundation as well as the NDR Cultural Promotion Award for Young Artists. In a duo with Max Vogler, she received an "Honorable Mention" at the International Competition Concertino Praga 2015 in the Czech Republic, in 2016 she won 3rd prize in her age group at the "1st Rising Star Grand Prix Berlin," and in 2022 she won 1st prize in the Gasteig Music Competition across instrumental categories. At the German Music Competition 2024, she was awarded a scholarship and included in the concert promotion of the German Music Competition.
The flutist made her solo debut, among others, at the Usedom Music Summer, as part of the Music Festivals in the Countryside at the Schleswig-Holstein Music Festival, and with the Philharmonic Orchestra Heidelberg at the Schwetzingen Mozart Festival.
In 2020, Charlotte Kuffer held a fixed-term contract for 2nd Flute and Piccolo at the State Theatre of Kassel. She gained further orchestral experience as a substitute for solo flute in the Symphony Orchestra of Bavarian Radio, at the State Theatre Kassel, and in the Munich Chamber Orchestra. In the 2022/2023 season she played as deputy solo flutist at the State Opera Hanover. Since 2024, she has held the position of solo flutist at the National Theatre Mannheim.

The Serbian-Hungarian cellist Irena Josifoska (born 1996) has won significant prizes at national and international competitions, including 1st prize at the Domenico-Gabrielli Competition in Berlin, the Prix Jean-Nicolas Firmenich - as an Academy member of the Verbier Festival, and the honorary certificate at the Grand Prix Emanuel Feuermann (with a debut in the hall of the Berlin Philharmonie). She was the youngest semifinalist of the Queen Elisabeth Competition 2017 in Brussels and "Artist in residence" at the Queen Elisabeth Music Chapel in Brussels for chamber music. Since the 2022/2023 season, she has been a scholarship holder of the Villa Musica Rheinland-Pfalz Foundation.
Irena Josifoska studied at the University of Music Detmold in the class of Xenia Jankovic and completed her master's degree at the University of the Arts in Berlin with Jens-Peter Maintz, where she has been studying in the concert exam since 2022. She regularly performs concerts and recitals in Europe, the USA, and Mexico. As a soloist, she has already been accompanied by renowned orchestras such as the Deutsche Sinfonietta Berlin, the Philharmonic Orchestra Hagen, and the Kaunas Philharmonic. As a chamber musician, she has collaborated with Albrecht Mayer, Guy Braunstein, Alexander Sitkovetsky, Sacha Rattle, and Vadim Gluzman. Composers such as Tibor Hartig, Dejan Despic, Svetozar Sasa Kovacevic, Aleksandar Vujic, and Günter Puzberg have dedicated compositions to her.

Pianist Viktor Soos is considered one of the outstanding musicians of his generation. He regularly performs at venues such as the Gewandhaus in Leipzig, the Elbphilharmonie Hamburg, the Laeiszhalle Hamburg, the Philharmonie Essen, and the Beethoven House in Bonn. Concert tours have taken him to Japan, Argentina, the USA, Russia, and Chile.
As a soloist, he has performed with orchestras such as the Deutsche Kammerphilharmonie Bremen, the Stuttgart Chamber Orchestra, the Brandenburg Symphony Orchestra, and the Lübeck Philharmonic Orchestra.
Viktor Soos regularly gives masterclasses at home and abroad and has performed with renowned artists such as star violinist Midori or clarinetist Sabine Meyer.
Viktor Soos has received numerous awards at national and international competitions. He won 2nd prize at the renowned European Piano Competition in Bremen 2024 and is a prizewinner of the International Robert Schumann Competition 2021 in Zwickau. He was recognized as a finalist at the German Music Competition by the German Music Council in 2017 and included in the Federal Selection Concerts for Young Artists (BAKjK).
In 2014/15, he was a young student at the University of Music and Performing Arts Frankfurt am Main in the piano class of Oliver Kern. From 2015 to 2021, he studied piano at the Lübeck University of Music with Konrad Elser. Since 2021, Viktor Soos has been studying at the University of Music, Theatre and Media Hanover in the class of Bernd Goetzke.

19:00

December 24, in the morning on the Eurobahn from Osnabrück to Münster. A stressed lawyer has boarded, needing to quickly buy an expensive gift for his wife at the prestigious jeweler Rüschenbeck, a nurse full of anticipation for her blind date with an unknown person, a shy student who wants to bring a Christmas tree to his grandmother's small apartment, a sad conductor who is working voluntarily because it is his first Christmas without his late wife, a cheerful Christmas enthusiast who, like every year, intends to meet her friends at Aasee for some Aperol Spritz, and Santa Claus, who is on his way to a decadent Christmas party at Prinzipalmarkt.

But no one will reach their destination. The train stops in the middle of the journey – a snowstorm prevents further travel. Whether they like it or not, the passengers must wait indefinitely. They inevitably begin to talk to one another - and their stories slowly begin to change. The audience is in the stranded train, singing "O you joyful" and experiencing a happy ending after another during the improvised Christmas party.

The Westbeverner ThekenTheater presents this romantic comedy by Katrin Jäger, bringing a very special Christmas celebration to the stage. Directed by Jörg Kracht. He says: “Laughter and singing along are expressly encouraged!”

7:30 PM

Lukas Stappenbeck – soprano saxophone
Anže Rupnik - alto saxophone
Sandra Rijavec - tenor saxophone
Benjamin Reichel – baritone saxophone
Sergey Markin – piano

Program: “Symphonic Dances”
György Ligeti: Six Bagatelles (arr. for 4 saxophones)
César Franck: Prélude, Fugue et Variations, op. 18 (arr. for 4 saxophones)
Johann Sebastian Bach: Italian Concerto in F major (arr. for 4 saxophones)
Sergei Rachmaninoff: Symphonic Dances, op. 45 (arr. for 4 saxophones & piano)

Intensity of feeling and drama, joy of playing and energy: in its program “Symphonic Dances,” the Cologne Xenon Saxophone Quartet presents a rich palette of emotions, with each work revealing a different facet of musical expression. In the titular Symphonic Dances of Rachmaninoff, where the quartet is joined by pianist Sergey Markin, the five explore the “Russian soul” of Rachmaninoff to the fullest. Their recording of Franck’s Prélude, Fugue et Variation makes the almost mystical character of the piece palpable, and Ligeti’s Six Bagatelles vividly display their profound avant-garde modernity. The recordings of Franck and Rachmaninoff are based on new arrangements. In its arrangement of Rachmaninoff’s late-Romantic Symphonic Dances, an outstanding work of orchestral literature for saxophone that the composer himself had arranged for two pianos, the ensemble succeeds in translating the impact and emotional intensity of the orchestral original into its chamber music version. For Franck, the Xenon Quartet bases its approach on his version for organ and implements it almost literally on saxophones, albeit expanded with dynamics and sound developments that are difficult to realize on an organ. Ligeti’s Six Bagatelles are recorded in the well-known arrangement authorized by the composer, Fabian Oehrli. In their passionate passages, the Xenon Saxophone Quartet explores the boundaries of ensemble playing with authority and enthusiasm.

The Xenon Saxophone Quartet has been a guest in Telgte several times and has been invited for a concert at the Bürgerhaus again at the special request of the audience.

19:00

To get straight to the point:
An evening with the Zucchini Sistaz is not a concert. It's an event.
In "Falsche Wimpern – Echte Musik," their now fourth concert program, the Zucchini Sistaz impressively and entertainingly demonstrate that 'just three ladies' can truly form a complete Big Band.
With the elegance of days gone by and the confidence of today, the flirtatiously styled maidens from the swing metropolis of Münster energetically take to their instruments and accompany their outstanding close-harmony group singing themselves.
While Jule Balandat skillfully tackles the double bass, Tina La Werzinger provides the lively part of this dual rhythm group on the guitar, and at times even quite strikingly on the ukulele. The particularly spirited addition is Schnittchen Schnittker, who virtuously joins in on the trumpet and whimsically picks up other 'fluff' like the clarinet, trombone, flugelhorn, and accordion.
The lively banter of the three cheeky girls skillfully creates a common thread through the colorful musical proceedings. In a refreshing collage of great swing melodies and brilliantly crafted original compositions in the style of the 1940s, the Zucchini Sistaz succeed in creating an entertaining and thoroughly uplifting evening.

19.30

The biggest advantage in the life of a stand-up comedian?
No matter what happens to you, every lucky streak and every catastrophe - eventually, it will turn into a sensational stage performance. Pure gold indeed! And so Markus Barth pulls out the shovel in his new live show and digs for the nuggets.
The master of maximal-minimalistic stand-up ("One stage, one microphone - I leave everything else to Helene Fischer") digs everywhere it sparkles - but also where it hurts. He plows through his own biography, sweeps through current events, and even peeks into the future for his audience ("At what age do I actually have to clomp around German wine towns in racing bike shoes?").
In the meantime, he seemingly harmlessly chats with the audience, spares no one (especially not himself), and effortlessly achieves the balance between pain and punchline. Because: Comedy is tragedy plus time. Well, and a few gags don't hurt either. But believe us: Markus Barth has plenty of that to spare.

Markus Barth has been living and working for many years in and for the comedy scene. Initially as a writer and chief author for Germany's most successful comedy shows, he then discovered the stand-up stage for himself. Today, he hosts his own show on BR Television ("Kabarett aus Franken"), is a regular guest on all comedy and cabaret shows, and has a radio column on WDR5.

19:30

Program:
Johann Sebastian Bach: Six Little Preludes BWV 933-938
Ludwig van Beethoven: Piano Sonata in E-flat major op. 31,3
Arthur Honegger: Prelude, Arioso and Fughette on the Name of BACH
Robert Schumann: Carnaval op. 9

Klaus Sticken, pianist from Hanover and professor at the University of Music and Performing Arts in Vienna, received his training from Vladimir Krainev, Vitaly Margulis, György Sebök, and Alfred Brendel. Concert tours have taken him to many European countries and to the Far East, performing on stages such as the Laeiszhalle in Hamburg, the Berlin Concert Hall, the Liederhalle in Stuttgart, the Tonhalle Zürich, the Philharmonic in Kyiv, or the Great Hall of the Tchaikovsky Conservatory in Moscow. CD productions for Thorofon and cpo, as well as numerous radio recordings of seldom-heard masterpieces by Clementi, Reubke, Strauss, Korngold, Martin, Honegger, or Rota document his extensive repertoire.

Klaus Sticken has been a guest at the Bürgerhaus several times and regularly ranks among the leading artists on the wish list of the Telgte audience.

19:00

Since 2013, Torsten Zwingenberger (drums), Lionel Haas (piano), and Martin Lillich (bass) have been performing together under the name Berlin 21, named after the former postal delivery code 1000 Berlin 21 (Moabit and Tiergarten).
Due to the performance and event bans during the Corona pandemic, the Berlin 21 musicians began to play street concerts in their home neighborhood of Moabit-Tiergarten in public spaces. There, they met the German-Russian guitarist Alexey Wagner and performed with him a program of popular soul, funk, and pop jazz titles by Stevie Wonder, Sting, Bob Marley, Crusaders, Beatles, Yellow Jackets, as well as some of the most popular original compositions from the Berlin 21 repertoire. Since June 2024, the quartet has been enhanced by the distinctive and charismatic voice of the young and highly talented Emil Wahlgren (born in 1999), who draws his inspirations from Stevie Wonder, Sting, George Benson, Nat King Cole, Al Jarreau, Billy Joel, and others, mixing them into an exciting vocal cocktail. He perfectly understands how to improvise and celebrate an impressive scat singing.
"Berlin 21 Streetworkers" are currently THE insider tip on the Berlin live scene. Funk, soul, and jazz are mixed into a danceable cocktail of the highest level. Party mood is guaranteed.

19:30

There are still good news:
Recently, a member of the Last Generation had a child. In Berlin, there is a Senate resolution that states that new streets can only be named after female individuals. Cul-de-sacs included. A new study from the Ministry of Economics shows that solar parks can also provide enough electricity at night if the facilities are operated under floodlights. Technically, this is already possible today. But unfortunately, the big corporations are preventing it.

The science cabaret artist and physicist Vince Ebert takes stock: Have we become more rational, more measured, or even smarter in recent years? Spoiler alert: No, we have not. Only 18% of the population wears a bicycle helmet, but 91% use a protective case for their phone.
When reality increasingly becomes satire, when government statements are practically indistinguishable from Postillon articles – how is a satirist supposed to top that?
But Vince Ebert does not give up. On the outside, he may seem like an old white man. But that is just a social construct. In “Vince of Change”, he identifies himself as a 32-year-old tanned surf instructor from California and thus reaches completely new target groups. Because his mission concerns us all: In an era that threatens to sink more and more into feelings, sensitivities, and irrationalities, he defiantly raises the flag of reason. And besides, he needs the money.

19:30

Discover Telgte from perspectives that have remained hidden from you until now! Siegfried Becker and Stefan Brauckmann, two passionate drone pilots, have explored the city over a period of seven years using their drone technology from the air and collected fascinating film and photo recordings. From picturesque Westbevern up to Raestrup – their journeys took them through every corner of the Telgte area, capturing not only breathtaking images of the city but also the change and development of the region across different seasons.
The resulting film is much more than a simple document of urban development. It is a visual journey that poetically and documentarily brings us closer to the beauty and evolution of Telgte. In a unique combination of art and reality, a new, unfamiliar perspective on our homeland is revealed to the audience – sometimes idyllic, sometimes vibrant, but always captivating and impressive. The film showcases not only the visible changes but also the subtle beauty that Telgte has to offer in all its facets.
Enjoy a special evening where you can discover Telgte from a bird’s-eye view – and perhaps see the city and its development with new eyes.

15:30

Discover Telgte from perspectives that have remained hidden from you until now! Siegfried Becker and Stefan Brauckmann, two passionate drone pilots, have explored the city over a period of seven years using their drone technology from the air and collected fascinating film and photo recordings. From picturesque Westbevern up to Raestrup – their journeys took them through every corner of the Telgte area, capturing not only breathtaking images of the city but also the change and development of the region across different seasons.
The resulting film is much more than a simple document of urban development. It is a visual journey that poetically and documentarily brings us closer to the beauty and evolution of Telgte. In a unique combination of art and reality, a new, unfamiliar perspective on our homeland is revealed to the audience – sometimes idyllic, sometimes vibrant, but always captivating and impressive. The film showcases not only the visible changes but also the subtle beauty that Telgte has to offer in all its facets.
Enjoy a special evening where you can discover Telgte from a bird’s-eye view – and perhaps see the city and its development with new eyes.

15:30

An average person lies 200 times a day. The lie is the glue of world history. The documents that established the Papal State and made Hamburg a Hanseatic city - forged! Perhaps even half of the Middle Ages is an invention... And then the 19th century - the great age of con artists! They sell the Eiffel Tower and the city of London in parts. Not to mention that in the 20th century, of course, no one planned to build a wall in Berlin or had a “sexual relation with that woman.” Finally, the world history of the lie!
After the overwhelming success of their reading in honor of Roger Willemsen and Dieter Hildebrandt at the St. Pauli Theater in Hamburg, Walter Sittler and Johann von Bülow are now going on tour with their entertaining search for the truth about the lie.
Rearranged and gently updated, they throw around scandalous falsehoods and devious intrigues for the amusement of the audience, which will likely be a bit poorer in illusions after this evening.

Johann von Bülow, born in 1972 in Munich, is one of the most well-known German actors of his generation. After studying at the Otto Falckenberg School, he acted in important theaters such as the Schauspielhaus Bochum; furthermore, he can be seen in numerous German and international film and television productions.
Walter Sittler, born as a German-American in Chicago, was engaged at the National Theater in Mannheim from 1981 to 1988 and then at the State Theater in Stuttgart until 1995. His career as a television actor and in some feature films began in 1995. The series “Girl Friends,” “Nikola,” as well as the series “Ein Fall für den Fuchs” and “Der Kommissar und das Meer” have made him known to a wide audience. In addition, Walter Sittler has never given up the stage and has been guest-starring for years with various theater productions and readings in many cities across Germany.

19:30

Travel with Theater ex libris to Victorian London!
The powerful ensemble led by actor Christoph Tiemann presents the original short stories by Sir Arthur Conan Doyle as an exciting live audio play.
Sherlock Holmes has been adapted for film many times - but rarely have the stories of Holmes' creator Conan Doyle been used as a model: In the first live audio play of the Sherlock Holmes series, parts of the Holmes novel "A Study in Scarlet" are combined with the short stories "The Speckled Band" and "The Man with the Twisted Lip" into an exciting adventure.
Listeners will learn how the most unusual shared living arrangement in London comes about and how John Watson, returned from Afghanistan, slowly uncovers the mystery of his new roommate.
Meet illustrious clients, cunning criminals, and of course the world's most famous detective duo: Sherlock Holmes and Dr. Watson, at Baker Street. A scenically coordinated image projection visually transports the audience to the London of the Victorian era; improvised live music underscores the mood of every moment.

Theater ex libris consists of an ensemble of extremely versatile speakers, live music, and carefully selected images tailored to the storyline - this is the recipe with which Theater ex libris brings literature to the stage as live audio plays.
The adventures of Sherlock Holmes, Charles Dickens' Christmas story, The Little Prince, and the three ??? - the characters from all these stories have already been given new life by the powerful Theater ex libris. For ten years, the ensemble, led by actor and cabaret artist Christoph Tiemann, has been transforming books into acoustic theater.

19:30

Yuliia Van - Violin

Lukas Rothenfußer - Cello

Jung Eun Séverine Kim - Piano



Program: “Liberation Strikes”

Robert Schumann: Piano Trio No. 1 in D minor op. 63

Antonín Dvořák: Piano Trio No. 3 in F minor op. 65



For both Robert Schumann and Antonín Dvořák, the piano trios presented here were a creative liberation, a compositional island of bliss. Both works emerged as an interruption of ultimately futile efforts to compose an opera: The creation of Schumann’s Opus 63 in 1847 coincided with a time when its energies were entirely devoted to the struggle for the dreamt-of music drama “Genoveva.” He interrupts this work for the conception of a piano trio. The liberated creative power gives rise to a piece in which his unique ability to transform complex and deeply felt emotions into music spreads sounds full of intoxicating emotions, ranging from dark melancholy to passionate drama.



Dvořák’s opera “Dimitrij” was able to achieve great success at its premiere in 1882 in Prague before its home audience, but it was subjected to devastating criticism by Hanslick and Dvořák’s publisher Simrock. Deeply unsettled and plagued by mistrust of his own work, Dvořák set about the revision, which, however, did not really succeed. In the spring of 1883, he was finally seized by new and exuberant creative power; he spent many weeks writing his third piano trio and was so filled with his newly flourishing creative spirit that he, as he himself said, could “hardly think and feel anything else.” A masterful work of overwhelming intensity emerges, dramatic and of great emotional depth, proof of the great richness of ideas and the uniquely painful-melancholic sound language of the great Czech master.



Founded in Hannover in 2021, the Jasper Trio remains connected to its “alma mater,” the Hochschule für Musik Hannover, where it is mentored by Markus Becker, Stefan Heinemeyer, and Oliver Wille. The trio was a semifinalist in 2022 at the International Chamber Music Competition “Franz Schubert and the Music of Modernity” in Graz, and in the spring of 2023 was a finalist at the International Chamber Music Competition in Lyon. In 2024, it was included in the concert promotion of the German Music Competition as a finalist and also received the special prize from the German Foundation Music Life.



19:00

Murder - but fun.
Taking out the neighbor just around the corner? Getting rid of the mother-in-law in a creative way? Finally giving the dear husband what he has long deserved? There are many motives for murder, and even more opportunities. But how to go about it?
If you have always wondered about this, then you are exactly right at "Mordsvergnügen"! Cunning, lust for murder, and malice served with a hearty wink and a lot of dark humor – that is the specialty of the authors for this evening.
Isabella Archan, Elke Pistor, Klaus Stickelbroeck, and Jutta Wilbertz provide tips & tricks for a well-executed murder in their current program – all, of course, in purely literary form. The evening will be musically complemented by the crime songs of the duo Wilbertz & Wilbertz.

19:30

A guy observes, sits and tells stories. Sometimes hilariously funny, sometimes so precisely accurate in his observations that you feel like you're sitting in a cabaret.
Ralf Senkel wanders between the borders of comedy and cabaret, and although he is always sitting on stage, he does not permanently occupy any genre. It is up to the audience to recognize this balancing act. Linguistically and in spirit, equipped with a large portion of Rheinland charm, he takes you on a journey into his little world. In his village, he is as well-known as a colorful dog, not just because of his incomparably fashionable jacket that he really always wears. Nevertheless, he claims not to have "metabolism problems," even though people say exactly that about him.
Ralf's so-called "professional inactivity" gives him time to observe. Therefore, his stories come straight from everyday life, sometimes quirky, sometimes serious, always sharply captured and, importantly: incredibly funny. Unintentionally funny? "No, I do it voluntarily!"

Ralf Senkel is a prizewinner of the Dattelner and Kremenholler small art awards, nominated for Tegtmeier's heirs 2023, and a regular guest in the shows of the Quatsch Comedy Club.
Experience the not-so-secret insider tip of the comedy and cabaret scene in his first solo program – "Der hat gesessen!" Ralf Senkel comes, sits, and tells... and afterwards you'll say: "Der hat gesessen!" – promised.

19:30

Whether it's Reggae, Funk, Soul, Latin, Rock, or Pop – KC & The Soulbrothers move through all these genres. The 60s, 70s, 80s, 90s, 2000s... each decade offers great songs. From Coldplay to Joe Cocker, through Jamiroquai to James Brown, from Michael Jackson to Bob Marley, through Ricky Martin to Stevie Wonder, from Pharrell Williams to Tom Jones, through The Police to The Beatles, from Ed Sheeran to Santana, from Gentleman to the Ladies of Soul – with us, there's always a colorful program.

As diverse as the repertoire is, so is the band itself: KC on vocals brings Nigerian soul to the stage, Felix rocks the guitar as a true “Slash Hamm(er)”. Samir on bass delivers Moroccan groove, Dimitar on keys shines with Bulgarian precision. Dirk on trumpet and Wolfgang on sax form the powerful “Westfalian Horns”. The driving rhythm is provided by Mounir on drums and Hicham on percussion – a Moroccan beat that goes straight to the heart.

19:30