EVA KARL FALTERMEIER – DING DONG

„[Eva Karl Faltermeier] is a perfect projection surface for a general state of being overwhelmed. […] Stories on the verge of a nervous breakdown grow around her, where a laugh extinguishes the grumpiness.“ (Salzburger Nachrichten)
„Eva Karl Faltermeier is an optimist, even if you can't see it directly.“ (AZ München)
„The new female power in the small arts scene.“ (Süddeutsche Zeitung)
„As petite as the black-haired cabaret artist is, her power with which she chases her punchlines into the audience is concentrated.” (PNP)

Eva Karl Faltermeier is known for her sharp wit and her inimitable way of captivating audiences in Bavaria and throughout Germany, Austria, Switzerland, and Liechtenstein. In her third stage program “Ding Dong,” she remains true to her style as she shares her social-political observations with her audience. The breeding ground for these often comes from her background, the pranks life plays on her – they are ideal for drawing conclusions from the small to the large.

Her stage persona once again confronts the multiple challenges of everyday life between unfulfillable societal norms and cultural roots; an emotional mixture that can provoke powerlessness. This powerlessness is the powerlessness of many. To free herself from it, Eva Karl Faltermeier constructs stories with humor. Her great art lies in presenting oddities and serious topics with a wink. Laughter as a coping strategy – about time, upheavals, and goals; what one misses, what one has, and where it should go. In the end, there remains the confidence that everything is somehow doable. No one spoke of perfection.

In recent years, Eva Karl Faltermeier has quickly made a name for herself in the scene, received and awarded accolades, visited and hosted television shows. However, the heart of her artistic work continues to be the live evenings when she performs passionately for her audience. An artist one must love. At a distance, of course.

„I want people to laugh, to think, and feel comfortable at the same time,“ says Eva. „Cabaret is for me a way to reflect the world a little and still bring people to smile — also about themselves and especially: about my mistakes.“

Doors open: 6:30 PM

Andreas Kümmert is an authentic and passionate musician with a powerful, soulful, and unique voice. Grounded, reserved, and sensitive, he remains true to his artistic freedom and shows a deep connection to handmade music.

Entrance: 19:15

That not everything can be controlled in life is a truism. “Make a plan and God laughs!”

When Julia “Jules” Fischer and Karin Rabhansl were booked for a joint concert evening in the autumn of 2018, it was planned that they would come together for a few songs in the finale. No one would have thought that what reads so completely contrary on paper (here silky piano soul, there dark colorful vernacular riot) would blend so smoothly on stage.

And because the whole thing was also a huge amount of fun, it was clear: This idea needs an extension. Boom: The power duo Fischer&Rabe was born!

Fischer&Rabe – The unsung heroines of Kleinstadt-Pop!

“The sheds are polished, the plumage is cleaned!”

2 voices, 3 tongues, 6 strings, 88 keys: When Julia “Jules” Fischer (keyboard, vocals) and Karin Rabhansl (guitar, vocals) take the stage to play favorite songs and treasures from two portfolios together, it works wonderfully time and again.

Whether in English, High German, or Lower Bavarian, whether soulful ballads or cantankerous city blues, summery fluttering pop or sinister tales from the depths of the Bavarian Forest, where the man-eaters live: The adventure of Fischer&Rabe has just begun …

Doors open at 19:00

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing House Weinheim

Shakespeare's Richard the Third. – That was the hunchback who murdered his nephews, both still children, to secure his claim to the throne? Or the one with: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that is a cool story about a truly evil monster! Such stories have a timeless and macabre fascination for us. With delight in wickedness, we watch Richard as he treads over familial corpses on his path to the English crown.
In the adaptation by the young author Helena Scheuba, the image of the monster is dismantled. She uncovers the different facets of the character. How does one become a monster? Is the potential for it in all of us? And can one perhaps cultivate understanding and even pity for a monster? Are monsters perhaps just people like all of us in the end? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 performers lay Richard's motives for the murders bare on the table, making them seem absurd, but with honesty and quite a bit of humor.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask individuals with wheelchairs to contact the
Weilheim Festival directly for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for individuals receiving a pension.
The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

„Drama, Datschi, Diridari“ – the third case for amateur investigator Elli Fuchs!

No murder, no crime, nothing - because it's the summer lull.

Sanitary saleswoman and amateur investigator Elli Fuchs is nearly dying of boredom. But then a body appears in Lake Starnberg that looks just like King Ludwig himself, and shortly thereafter, a sausage manufacturer's widow is found charred on her heating blanket. Well, one must investigate!

A mysterious series of murders, connections to the mafia, and plenty of complications ensure that Elli suddenly has her hands full – and in the process, not only disrupts the police but also her own life.

The heart of the crime novel lies in the lovable quirky characters, the wonderfully direct Bavarian way, and the humor. Urban and rural, high society and province, love chaos and murder investigations collide in a most entertaining manner.

A Bavarian crime novel - thrilling, turbulent, and guaranteed to make you laugh. 

For the second time, Oliver Pötzsch will visit us on October 16th of this year for a reading at Thalia in Weilheim. We are looking forward to an exciting evening filled with history and criminal twists in Vienna in the year 1896.

Presented by: Oliver Pötzsch, born in 1970, initially worked as a journalist and screenwriter at Bayerischer Rundfunk after his studies. Today, he lives as an author with his family in Munich. His historical novels have made him well-known far beyond the borders of Germany: The volumes of the Henkerstochter series are international bestsellers and have been translated into more than 20 languages.

Admission: 6:30 PM

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing House Weinheim

Shakespeare's Richard the Third. – That was the hunchback who murdered his nephews, both still children, to secure his claim to the throne? Or the one with: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that is a cool story about a truly evil monster! Such stories have a timeless and macabre fascination for us. With delight in wickedness, we watch Richard as he treads over familial corpses on his path to the English crown.
In the adaptation by the young author Helena Scheuba, the image of the monster is dismantled. She uncovers the different facets of the character. How does one become a monster? Is the potential for it in all of us? And can one perhaps cultivate understanding and even pity for a monster? Are monsters perhaps just people like all of us in the end? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 performers lay Richard's motives for the murders bare on the table, making them seem absurd, but with honesty and quite a bit of humor.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask individuals with wheelchairs to contact the
Weilheim Festival directly for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for individuals receiving a pension.
The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

Three completely different musical biographies that combine all their experience and skill in a brand new project: Not a male trio singing, but rather a three-man song - powerful and beautiful - to zither, guitar, and bass!

Josef Brustmann, word and music cabaret artist
Benni Schäfer, bassist of "Dreiviertelblut" and "Benni Schäfer Trio"
Sebastian Horn, singer and songwriter of "Dreiviertelblut" and "Bananafishbones"

“We sing our own new songs, which life writes for us, and of course we also sing old Bavarian folk songs, because they are incredibly beautiful - an invaluable and greatly underestimated heritage. We leave the old songs as they are - but shine a light on as many unknown corners as possible.

When folk music is featured in media, it is often reduced to the entertaining and funny; however, it often has something very mysterious, magical, deeply profound, and erotic about it. And we want to showcase that entire range, all the beauty and primal power contained within.”

Doors: 6:30 PM

TAKEOFF stands for music that is fun, down-to-earth and honest, rock and pop classics from 50 years of music history:
The rock voice Kathi, Rudi on guitar, Manni on bass, Alex on drums, and Elmar on keys present Classic Rock for spoiled ears: unplugged or in full gear.
The repertoire ranges from Amy Winehouse, Tina Turner, Janis Joplin, Joe Cocker, Gary Moore, and Santana to Toto and ZZ Top.
Here you can rock out - guaranteed!

Doors open at 19:00

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing Weinheim

Shakespeare's Richard the Third. – That was the hunchback who killed his two young nephews to secure his claim to the throne, right? Or the one who exclaimed: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that's a cool story about a truly wicked monster! Such stories have a timeless and macabre fascination for us. With delight in the wickedness, we watch Richard as he walks over familial corpses on his path to the English crown.
In the adaptation by young author Helena Scheuba, the image of the monster is dismantled. She exposes the various facets of the character. How does one become a monster? Is the potential for it within all of us? And can we perhaps muster understanding and even pity for a monster? Are monsters ultimately just people like all of us? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 actors and actresses lay Richard's motives for the murders out on the table, making them seem absurd but doing so with honesty and quite a bit of wit.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set design and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask persons in wheelchairs to directly contact the
Weilheim Festival for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for persons receiving a pension.
The visitor regulations of the City Theater Weilheim i.OB apply.

Entry: 5:00 PM

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing House Weinheim

Shakespeare's Richard the Third. – That was the hunchback who murdered his nephews, both still children, to secure his claim to the throne? Or the one with: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that is a cool story about a truly evil monster! Such stories have a timeless and macabre fascination for us. With delight in wickedness, we watch Richard as he treads over familial corpses on his path to the English crown.
In the adaptation by the young author Helena Scheuba, the image of the monster is dismantled. She uncovers the different facets of the character. How does one become a monster? Is the potential for it in all of us? And can one perhaps cultivate understanding and even pity for a monster? Are monsters perhaps just people like all of us in the end? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 performers lay Richard's motives for the murders bare on the table, making them seem absurd, but with honesty and quite a bit of humor.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask individuals with wheelchairs to contact the
Weilheim Festival directly for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for individuals receiving a pension.
The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

Are you a real bookworm? Then come to our bookstore and let us surprise you with exciting and funny stories. Our staff will do crafts with you, read to you, and afterwards you can, of course, browse on your own. There will also be drinks and snacks. Please bring a sleeping bag or a blanket and a flashlight so you can make yourself comfortable!
Please sign up, as the number of participants is limited! We look forward to seeing you.
Your parents can pick you up at 8:30 PM.
P.S.: Of course, shopping is also possible that evening. So grab your vouchers and your pocket money and secure your favorite book!

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing House Weinheim

Shakespeare's Richard the Third. – That was the hunchback who murdered his nephews, both still children, to secure his claim to the throne? Or the one with: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that is a cool story about a truly evil monster! Such stories have a timeless and macabre fascination for us. With delight in wickedness, we watch Richard as he treads over familial corpses on his path to the English crown.
In the adaptation by the young author Helena Scheuba, the image of the monster is dismantled. She uncovers the different facets of the character. How does one become a monster? Is the potential for it in all of us? And can one perhaps cultivate understanding and even pity for a monster? Are monsters perhaps just people like all of us in the end? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 performers lay Richard's motives for the murders bare on the table, making them seem absurd, but with honesty and quite a bit of humor.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask individuals with wheelchairs to contact the
Weilheim Festival directly for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for individuals receiving a pension.
The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

William Shakespeare
Richard III
Translation and adaptation by Helena Scheuba
German Theater Publishing Weinheim

Shakespeare's Richard the Third. – That was the hunchback who killed his two young nephews to secure his claim to the throne, right? Or the one who exclaimed: "A horse, a horse, my kingdom for a horse!" as his last cry in the final battle?

Yes, that's a cool story about a truly wicked monster! Such stories have a timeless and macabre fascination for us. With delight in the wickedness, we watch Richard as he walks over familial corpses on his path to the English crown.
In the adaptation by young author Helena Scheuba, the image of the monster is dismantled. She exposes the various facets of the character. How does one become a monster? Is the potential for it within all of us? And can we perhaps muster understanding and even pity for a monster? Are monsters ultimately just people like all of us? Richard's power strategies appear logical and understandable; they are even fascinating.
The 17 characters played by 6 actors and actresses lay Richard's motives for the murders out on the table, making them seem absurd but doing so with honesty and quite a bit of wit.

With
Julian Manuel, Yvonne Brosch, Claus-Peter Damitz, Sarah Giebel, Stephan Hirschpointner, Daniela Voß

Direction: Uwe Kosubek
Set design and costumes: Andreas Arneth
Production graphics: Andreas Arneth

We ask persons in wheelchairs to directly contact the
Weilheim Festival for reservations.
Phone: 0152 56570359 or Email: andreas-arneth@t-online.de
There is no discount for persons receiving a pension.
The visitor regulations of the City Theater Weilheim i.OB apply.

Entry: 5:00 PM

HADER ON ICE

"Always something. Either my feet fall asleep. Or they itch. Then I can't breathe when I walk faster. Or I have a sweat outbreak. Then I'm cold again. The food no longer tastes good to me, sex is boring, pants are too tight. What is this? - This must all be because of climate change, right? Temperatures in summer are like in the tropics! Suddenly these huge insects appear! They didn't exist before! If they sting you, you get a swelling that won't go away for months! Probably they are all genetically modified. And the plants! They are getting stupid too. The plants are losing it! They are overgrowing everything now! Since I don't go out anymore. My theory is, the plants want to take over the planet. They are all connected underground through their roots. Worldwide! The plants have a secret plan. They want total destruction of Western culture and Austrian folk rock 'n' roll. It's all going to be replaced by um, photosynthesis.

Doors open: 7:00 PM

Whoever has experienced him live will inevitably declare Beppo his favorite Calzone! The cabaret artist knows how to deliver a comedy evening of superlatives. The most unpredictable, craziest, and funniest SHOW in just ONE evening!
The young star from Bavaria - an entertainer, guitarist, singer, cabaret artist, showman... You can call him whatever you want, but for this joyful and unique show, there is no category - and we are PROUD of it!
His sharp wit, the unmistakable self-written songs, combined with his spontaneity on stage delight his audience!! “It suddenly felt like a huge celebration and Beppo connected ALL the guests together! Incredible!...” ~ reports an audience member after the show.
23 years young, energetic, and simply authentic!
A guy with bees in his pants, a gigantic HEART, and probably the most interactive show ever!
You can't describe it; you have to experience it!

His rapidly growing fan base is enormous and widely varied across all age groups.
An experience for EVERYONE: That’s why we also offer the family ticket exclusively with us!

Haven't seen a CALZINGER show yet?! Then what are you waiting for... Secure your tickets! It’s worth it, we promise!

Doors open: 6:00 PM