WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people only speak of the "Scottish play" to avoid summoning the evil spirits of Shakespeare's darkest tragedy.

Shakespeare's "Ride to Hell," condensed to its core: Macbeth and his "Lady" not only dream of seizing the Scottish crown and unrestricted power – they cruelly put their plans into action until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has likely never been described as impressively as in this great drama, which in its smaller form loses none of its force:

"John von Düffel has not only created a fabulous translation; he has focused the events entirely on the relational drama of the couple and cleverly condensed the drama, peppered with royal power games and murder orgies, so that the cycle of madness and violence can be traced."

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Scenography: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights with Rowohlt Theaterverlag

A production of the Brandenburg Theater

Play introduction at 6:45 PM in the foyer of the studio stage

WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people only speak of the "Scottish play" to avoid summoning the evil spirits of Shakespeare's darkest tragedy.

Shakespeare's "Ride to Hell," condensed to its core: Macbeth and his "Lady" not only dream of seizing the Scottish crown and unrestricted power – they cruelly put their plans into action until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has likely never been described as impressively as in this great drama, which in its smaller form loses none of its force:

"John von Düffel has not only created a fabulous translation; he has focused the events entirely on the relational drama of the couple and cleverly condensed the drama, peppered with royal power games and murder orgies, so that the cycle of madness and violence can be traced."

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Scenography: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights with Rowohlt Theaterverlag

A production of the Brandenburg Theater

Play introduction at 6:45 PM in the foyer of the studio stage

WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people refer to it only as the “Scottish play” to avoid summoning the evil spirits of Shakespeare’s darkest tragedy.

Shakespeare’s “hell ride,” distilled to its fiery core: Macbeth and his “Lady” do not only dream of seizing the Scottish crown and absolute power – they cruelly put their plans into action, until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has perhaps never been described so impressively as in this great drama, which in its smaller form loses none of its strength:

“John von Düffel has not only created the fabulous translation, he has concentrated the events entirely on the relational drama of the couple and cleverly condensed the drama sprinkled with royal power plays and murder orgies, so that the cycle of madness and violence can be traced.”

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Set Design: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights at Rowohlt Theaterverlag

A self-production of the Brandenburger Theater

Introduction to the play at 5:15 PM in the foyer of the studio stage

All Family

Anni lives in a high-rise building with many families who couldn't be more different. She lives with her parents on the 1st floor. Marko, the best waste collector in the building, lives on the same floor. Marko grows up without a mother, and his father is the janitor. On the other hand, Anni's best friend Thomas from the 9th floor lives in a large blended family with two stepfathers, three half siblings, two stepbrothers, and a step-sister. Below the Pettke family, Grandma Menk lives alone on the 8th floor with her dog Ina and her many records. Kerstin from the 5th floor always spends a week with her father because her parents are separated. Kerstin therefore has double of all her toys... And then there are Hans and Franz, the twins, and Dominik, Ari and Yaro, Luna and Ute, and all the other children of the building... Whether it's soccer noise or record songs, scaring the dog or rubber skipping, it's never boring in Anni's house. Peek through the keyholes, into the colorful families. Experience how beautiful it is when doors are mostly open and the scent of favorite food fills the air.

Play: Annegret Geist
Director: Eva Kaufmann
Script: Kaufmann, Geist
Puppets: Kaufmann, Geist
Stage/Light: Werner Wallner
Costume: Sabine Pätzold
Set Decoration: Sven Mathiasen, Greta Mutze

Recommended age: from 5 years
Duration: approx. 50 minutes

A performance by TheaterGeist, Berlin

Entrance to the building 1 hour before the show, to the hall about 10 minutes before the show.

All Family

Anni lives in a high-rise building with many families who couldn't be more different. She lives with her parents on the 1st floor. Marko, the best waste collector in the building, lives on the same floor. Marko grows up without a mother, and his father is the janitor. On the other hand, Anni's best friend Thomas from the 9th floor lives in a large blended family with two stepfathers, three half siblings, two stepbrothers, and a step-sister. Below the Pettke family, Grandma Menk lives alone on the 8th floor with her dog Ina and her many records. Kerstin from the 5th floor always spends a week with her father because her parents are separated. Kerstin therefore has double of all her toys... And then there are Hans and Franz, the twins, and Dominik, Ari and Yaro, Luna and Ute, and all the other children of the building... Whether it's soccer noise or record songs, scaring the dog or rubber skipping, it's never boring in Anni's house. Peek through the keyholes, into the colorful families. Experience how beautiful it is when doors are mostly open and the scent of favorite food fills the air.

Play: Annegret Geist
Director: Eva Kaufmann
Script: Kaufmann, Geist
Puppets: Kaufmann, Geist
Stage/Light: Werner Wallner
Costume: Sabine Pätzold
Set Decoration: Sven Mathiasen, Greta Mutze

Recommended age: from 5 years
Duration: approx. 50 minutes

A performance by TheaterGeist, Berlin

Entrance to the building 1 hour before the show, to the hall about 10 minutes before the show.

WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people refer to it only as the “Scottish play” to avoid summoning the evil spirits of Shakespeare’s darkest tragedy.

Shakespeare’s “hell ride,” distilled to its fiery core: Macbeth and his “Lady” do not only dream of seizing the Scottish crown and absolute power – they cruelly put their plans into action, until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has perhaps never been described so impressively as in this great drama, which in its smaller form loses none of its strength:

“John von Düffel has not only created the fabulous translation, he has concentrated the events entirely on the relational drama of the couple and cleverly condensed the drama sprinkled with royal power plays and murder orgies, so that the cycle of madness and violence can be traced.”

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Set Design: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights at Rowohlt Theaterverlag

A self-production of the Brandenburger Theater

Introduction to the play at 5:15 PM in the foyer of the studio stage

WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people only speak of the "Scottish play" to avoid summoning the evil spirits of Shakespeare's darkest tragedy.

Shakespeare's "Ride to Hell," condensed to its core: Macbeth and his "Lady" not only dream of seizing the Scottish crown and unrestricted power – they cruelly put their plans into action until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has likely never been described as impressively as in this great drama, which in its smaller form loses none of its force:

"John von Düffel has not only created a fabulous translation; he has focused the events entirely on the relational drama of the couple and cleverly condensed the drama, peppered with royal power games and murder orgies, so that the cycle of madness and violence can be traced."

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Scenography: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights with Rowohlt Theaterverlag

A production of the Brandenburg Theater

Play introduction at 6:45 PM in the foyer of the studio stage

WILLIAM SHAKESPEARE
EIN SOMMERNACHTSTRAUM

Even after more than 400 years, Shakespeare's famous "A Midsummer Night's Dream" has not lost its magic: With the humorous confusion surrounding two young couples, the comedy transports the audience to a magical forest where fairies and trolls turn people's heads.

The genius of the author and the poetry of the text open up a delightful fairy tale world that timelessly intertwines reality and dream, play and seriousness, fiery passion and genuine affection.

With its outstanding handling of language and its clear, unpretentious style of play, the Ensemble Persona embodies its conviction and places the power of poetry at the heart of its work. Following the great success of "Peer Gynt" in the last season, we are delighted to collaborate once again with Ensemble Persona and bring this production together with the theatrical music of Felix Mendelssohn Bartholdy, played live by the Brandenburg Symphony Orchestra under Andreas Spering.

Conductor: Andreas Spering
Performed by the Brandenburg Symphony Orchestra.

Direction + Stage Design: Tobias Maehler
Stage Design: Claudia Weinhart
Costume Design: Antal Büki
Dramaturgy: Elisabeth Kerschbaumer
Choral Arrangement: Yannick Zürcher
Production Management: Sandra Maehler

Egea / Puck: Anja Neukamm
Hippolyta / Titania / Schnauz: Jana Franke
Theseus: Tobias Maehler
Zettel / Oberon: Peter Kempkes
Hermia / Schnock / Spinnweb: Sophia Lahme
Helena / Schlucker / Bohnenblüte: Julia Gröbl
Lysander / Squenz / Senfsamen: Yannick Zürcher
Demetrius / Flaut / Motte: Hannes-Achim Langanky
Percussion: N.N.

Soloists:
Soprano: Natallia Baldus
Mezzo-Soprano: Johanna Bretschneider

Fairy Chorus: Women's Chorus of the Berlin Opera Group

A production of Ensemble Persona

Doors open 1 hour before the performance, in the auditorium about 20 minutes before the performance.

WILLIAM SHAKESPEARE
EIN SOMMERNACHTSTRAUM

Even after more than 400 years, Shakespeare's famous "A Midsummer Night's Dream" has not lost its magic: With the humorous confusion surrounding two young couples, the comedy transports the audience to a magical forest where fairies and trolls turn people's heads.

The genius of the author and the poetry of the text open up a delightful fairy tale world that timelessly intertwines reality and dream, play and seriousness, fiery passion and genuine affection.

With its outstanding handling of language and its clear, unpretentious style of play, the Ensemble Persona embodies its conviction and places the power of poetry at the heart of its work. Following the great success of "Peer Gynt" in the last season, we are delighted to collaborate once again with Ensemble Persona and bring this production together with the theatrical music of Felix Mendelssohn Bartholdy, played live by the Brandenburg Symphony Orchestra under Andreas Spering.

Conductor: Andreas Spering
Performed by the Brandenburg Symphony Orchestra.

Direction + Stage Design: Tobias Maehler
Stage Design: Claudia Weinhart
Costume Design: Antal Büki
Dramaturgy: Elisabeth Kerschbaumer
Choral Arrangement: Yannick Zürcher
Production Management: Sandra Maehler

Egea / Puck: Anja Neukamm
Hippolyta / Titania / Schnauz: Jana Franke
Theseus: Tobias Maehler
Zettel / Oberon: Peter Kempkes
Hermia / Schnock / Spinnweb: Sophia Lahme
Helena / Schlucker / Bohnenblüte: Julia Gröbl
Lysander / Squenz / Senfsamen: Yannick Zürcher
Demetrius / Flaut / Motte: Hannes-Achim Langanky
Percussion: N.N.

Soloists:
Soprano: Natallia Baldus
Mezzo-Soprano: Johanna Bretschneider

Fairy Chorus: Women's Chorus of the Berlin Opera Group

A production of Ensemble Persona

Doors open 1 hour before the performance, in the auditorium about 20 minutes before the performance.

FIGARO – Intrigen, Witz und Wortkunst

Figaro is the voice of the people, the master of cunning, the hero of hearts. In September, Mozart's famous opera "The Marriage of Figaro" will be released in a new version at BT – written by BT actress and literature translator Elna Lindgens. In this captivating reading, you can already dive into the world of Beaumarchais’ famous barber and Mozart's brilliant opera in early summer – this time in the cozy courtyard of the Hofcafé Gränert in Kirchmöser.
Whether sharp-tongued wit or hidden social criticism – the stories about Figaro are more relevant today than ever.

Elna Lindgens will read.

An event of the Brandenburg Theater in collaboration with the Hofcafé Gränert.

In case of rain, the event will take place in the café.

Doors open 1 hour before the performance.

The Wolf and the Seven Young Goats
Puppet show from the cloak - based on the fairy tale by the Brothers Grimm

The puppeteer enters the stage: surrounded by a large cloak, he conjures the Grimm fairy tale "The Wolf and the seven young goats" from his belly. Inside the cloak is the goat house, housing the goat family with a clock box, bathtub, and everything that goes with it. When the cloak closes, it becomes the door that the wolf cannot penetrate so quickly, and the battle to open the door begins. The viewer will be amazed to see that a wolf can even flatten his nose against a buttoned cloak.

But - as everyone knows from the fairy tale - eventually, the wolf manages to break into the goat house. The story would end badly if it weren't for Karin. Karin is the youngest goat and she must often assert herself against six older brothers. It is clear that she also succeeds in hiding from the wolf.

Performance by: Jürgen Wicht

Ages 3+
Duration: approx. 40 minutes

A production by Wicht-Theater, Wismar

Access to the house 1 hour before the performance, to the hall about 10 minutes before the performance

The Wolf and the Seven Young Goats
Puppet show from the cloak - based on the fairy tale by the Brothers Grimm

The puppeteer enters the stage: surrounded by a large cloak, he conjures the Grimm fairy tale "The Wolf and the seven young goats" from his belly. Inside the cloak is the goat house, housing the goat family with a clock box, bathtub, and everything that goes with it. When the cloak closes, it becomes the door that the wolf cannot penetrate so quickly, and the battle to open the door begins. The viewer will be amazed to see that a wolf can even flatten his nose against a buttoned cloak.

But - as everyone knows from the fairy tale - eventually, the wolf manages to break into the goat house. The story would end badly if it weren't for Karin. Karin is the youngest goat and she must often assert herself against six older brothers. It is clear that she also succeeds in hiding from the wolf.

Performance by: Jürgen Wicht

Ages 3+
Duration: approx. 40 minutes

A production by Wicht-Theater, Wismar

Access to the house 1 hour before the performance, to the hall about 10 minutes before the performance

WILLIAM SHAKESPEARE
EIN SOMMERNACHTSTRAUM

Even after more than 400 years, Shakespeare's famous "A Midsummer Night's Dream" has not lost its magic: With the humorous confusion surrounding two young couples, the comedy transports the audience to a magical forest where fairies and trolls turn people's heads.

The genius of the author and the poetry of the text open up a delightful fairy tale world that timelessly intertwines reality and dream, play and seriousness, fiery passion and genuine affection.

With its outstanding handling of language and its clear, unpretentious style of play, the Ensemble Persona embodies its conviction and places the power of poetry at the heart of its work. Following the great success of "Peer Gynt" in the last season, we are delighted to collaborate once again with Ensemble Persona and bring this production together with the theatrical music of Felix Mendelssohn Bartholdy, played live by the Brandenburg Symphony Orchestra under Andreas Spering.

Conductor: Andreas Spering
Performed by the Brandenburg Symphony Orchestra.

Direction + Stage Design: Tobias Maehler
Stage Design: Claudia Weinhart
Costume Design: Antal Büki
Dramaturgy: Elisabeth Kerschbaumer
Choral Arrangement: Yannick Zürcher
Production Management: Sandra Maehler

Egea / Puck: Anja Neukamm
Hippolyta / Titania / Schnauz: Jana Franke
Theseus: Tobias Maehler
Zettel / Oberon: Peter Kempkes
Hermia / Schnock / Spinnweb: Sophia Lahme
Helena / Schlucker / Bohnenblüte: Julia Gröbl
Lysander / Squenz / Senfsamen: Yannick Zürcher
Demetrius / Flaut / Motte: Hannes-Achim Langanky
Percussion: N.N.

Soloists:
Soprano: Natallia Baldus
Mezzo-Soprano: Johanna Bretschneider

Fairy Chorus: Women's Chorus of the Berlin Opera Group

A production of Ensemble Persona

Doors open 1 hour before the performance, in the auditorium about 20 minutes before the performance.

"Because we've just been interrupted"
Theater tours for adults

This sentence is practically heard at every rehearsal and is a welcome opportunity not only to present modern theater technology and the stage, but also to digress a bit and tell numerous anecdotes from the theater world.
For example, stories about planned and unplanned stage appearances, the quirks of theater employees, and the most exotic professions found in the theater.

Join us for a behind-the-scenes look, experience the technical features and workflows, and let our lighting master Jan Eberle guide you into the fascinating world of our theater.

We are happy to arrange additional dates upon request.

BT YOUTH THEATER

GEORG BÜCHNER: WOYZECK

“Always on! Always on!” Woyzeck is humiliated and exploited by his environment. Based on historical criminal cases, Georg Büchner's fragment of a play reveals the societal backgrounds of a murder motivated by jealousy. The most famous fragment in the history of German literature is thus a typical work of the natural scientist, doctor, and writer Büchner, who integrated all these facets of his life into his “Woyzeck”: The voices in Woyzeck's head, the hopelessness of poverty, social constraints, and human despair make the text powerful and relevant today, although nearly 200 years have passed since its premiere.

Direction: Steffan Drotleff
Stage: Thomas Gabriel

With the ensemble of the BT Youth Theater: Rea Irini Papadopoulos, Linda Küch, Phillip Scharsich,
Marlene Küpper, Janus Alev Leonid Schäfer, Tony Heile, Gloria Kosinaj, Emilie Horschig, Theresa Nährig, Hanna Lubinsky, Carolin Schönbeck, Angelina Krause, Elisa Voigt, Hannes Lang, Julia Lisanne Lang, Lina Mattukat, Tamia Liebner, and Wilhelm Alexander Balz

An original production of the Brandenburg Theater with support from the “Friends of the Brandenburg Theater e.V.”

Are you 15 years old and want to become a member of the BT Youth Theater?
Then contact: steffan.drotleff@brandenburgertheater.de

Doors open 1 hour before the performance, in the auditorium about 20 minutes before the performance.

BT YOUTH THEATER

GEORG BÜCHNER: WOYZECK

“Always on! Always on!” Woyzeck is humiliated and exploited by his environment. Based on historical criminal cases, Georg Büchner's fragment of a play reveals the societal backgrounds of a murder motivated by jealousy. The most famous fragment in the history of German literature is thus a typical work of the natural scientist, doctor, and writer Büchner, who integrated all these facets of his life into his “Woyzeck”: The voices in Woyzeck's head, the hopelessness of poverty, social constraints, and human despair make the text powerful and relevant today, although nearly 200 years have passed since its premiere.

Direction: Steffan Drotleff
Stage: Thomas Gabriel

With the ensemble of the BT Youth Theater: Rea Irini Papadopoulos, Linda Küch, Phillip Scharsich,
Marlene Küpper, Janus Alev Leonid Schäfer, Tony Heile, Gloria Kosinaj, Emilie Horschig, Theresa Nährig, Hanna Lubinsky, Carolin Schönbeck, Angelina Krause, Elisa Voigt, Hannes Lang, Julia Lisanne Lang, Lina Mattukat, Tamia Liebner, and Wilhelm Alexander Balz

An original production of the Brandenburg Theater with support from the “Friends of the Brandenburg Theater e.V.”

Are you 15 years old and want to become a member of the BT Youth Theater?
Then contact: steffan.drotleff@brandenburgertheater.de

Doors open 1 hour before the performance, in the auditorium about 20 minutes before the performance.

WILLIAM SHAKESPEARE
MACBETH

IN THE ADAPTATION BY JOHN VON DÜFFEL

Macbeth brings misfortune – at the theater, people only speak of the "Scottish play" to avoid summoning the evil spirits of Shakespeare's darkest tragedy.

Shakespeare's "Ride to Hell," condensed to its core: Macbeth and his "Lady" not only dream of seizing the Scottish crown and unrestricted power – they cruelly put their plans into action until they plunge into the abyss driven by their own ambition. What the will to power can wreak in a person has likely never been described as impressively as in this great drama, which in its smaller form loses none of its force:

"John von Düffel has not only created a fabulous translation; he has focused the events entirely on the relational drama of the couple and cleverly condensed the drama, peppered with royal power games and murder orgies, so that the cycle of madness and violence can be traced."

The World

Direction: Carola Söllner
Music/Composition: Hallam London
Costumes: Gabriele Kortmann
Scenography: Steven Koop

With: Elna Lindgens, Jacob Keller, and Patrik Cieslik.

Performance rights with Rowohlt Theaterverlag

A production of the Brandenburg Theater

Play introduction at 6:45 PM in the foyer of the studio stage

SOMMERNACHTSGALA
15. SONDERKONZERT

Familiar and beloved arias and ensembles will also resonate in 2025 during the Pentecost weekend at the Sommernachtsgala in Brandenburg an der Havel. Under the conceptual collaboration of Michael Treffehn, this year the Brandenburger Symphoniker will once again shape the Sommernachtsgala, which is so dearly loved by the audience. Please find the exact information regarding the program and cast on our homepage or in the current promotional materials throughout the season.

Conductor: Thomas Rösner
Soprano: Margrethe Fredheim
Baritone: Bernhard Hansky
Coloratura Soprano: Sophie Witte
Brandenburger Symphoniker

Entry to the venue starts 1 hour before the performance, into the hall approximately 20 minutes before the performance

SOMMERNACHTSGALA
15. SONDERKONZERT

Familiar and beloved arias and ensembles will also resonate in 2025 during the Pentecost weekend at the Sommernachtsgala in Brandenburg an der Havel. Under the conceptual collaboration of Michael Treffehn, this year the Brandenburger Symphoniker will once again shape the Sommernachtsgala, which is so dearly loved by the audience. Please find the exact information regarding the program and cast on our homepage or in the current promotional materials throughout the season.

Conductor: Thomas Rösner
Soprano: Margrethe Fredheim
Baritone: Bernhard Hansky
Coloratura Soprano: Sophie Witte
Brandenburger Symphoniker

Entry to the venue starts 1 hour before the performance, into the hall approximately 20 minutes before the performance

Zeitenwende
8. Symphoniekonzert

Joseph Haydn: Overture to the opera “L’anima del filosofo ossia Orfeo ed Euridice” Hob. XXVIII:13

Igor Stravinsky: “Orpheus” ballet in 3 scenes

Pause

Hans Abrahamsen: Stratifications

Joseph Haydn: Symphony No. 101 in D major Hob. I:101 “The Clock”
I. Adagio – Allegro
II. Andante
III. Menuetto. Allegro
IV. Finale. Spiritoso

Conductor: Andreas Spering

Brandenburger Symphoniker

“The myth of Orpheus runs through the entire history of Western music from Monteverdi to Gluck to Stravinsky. We juxtapose Haydn’s overture to his last opera with Stravinsky’s ballet and combine one of his best London symphonies with the piece “Stratifications” by the Danish composer Hans Abrahamsen, which attempts to achieve the same form of compositional layers as in Haydn’s symphony through entirely different means.” (Andreas Spering)

FAMILY CONCERTS WITH CLASSIC AND CAKE

This symphonic concert will be a grand family Sunday with the Brandenburger Symphoniker! Musician and music educator Bernadett Kis (Puppenphilharmonie Berlin) will convey the backgrounds and special features of Joseph Haydn’s Symphony No. 101 in D major Hob. I:101 “The Clock” in a child-friendly and creative way for those aged 5 and up in the Fontane Room, while parents, grandparents, uncles or aunts and siblings listen to the first part of the concert. This gives the younger ones the opportunity to experience the music in a whole new way and develop a deeper connection to this composition even before the concert.

After a joint break with coffee and cake, the entire family will then experience Joseph Haydn's Symphony No. 101 in D major Hob. I:101 “The Clock.”

Schedule:
3:15 PM: Foyer of the Great House:
Concert introduction for all adults and older students

4:00 PM Foyer of the Great House, Fontane Room:
Music educational program for the younger ones

4:00 PM Great House, concert begins:
Joseph Haydn: Overture to the opera “L’anima del filosofo ossia Orfeo ed Euridice” Hob. XXVIII:13
Igor Stravinsky: “Orpheus” ballet in 3 scenes

BREAK – For everyone with cake in the foyer
Joseph Haydn: Symphony No. 101 in D major Hob. I:101 “The Clock”

Interesting for families is also the new pricing structure of the family concerts: If one adult purchases a full-price ticket, up to five accompanying adults pay only 15 euros per ticket. Children and young people up to 18 years pay only 5 euros at all family concerts.
These special prices are only available through the theater box office!

The cake is sponsored by the “Förderverein Brandenburger Symphoniker e.V.”.

Concert introduction at 6:45 PM on Friday and Saturday or 3:15 PM on Sunday in the foyer of the Great House

Concert introduction at 6:45 PM in the foyer of the Great House