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Zwei Apfelsinen im Haar

Saturday, 5/25/2024 at 8:00 PM

Zwei Apfelsinen im Haar

Saturday, 5/25/2024
at 8:00 PM

More on 5/25/2024

Boulevardtheater Deidesheim Stadthalle
Bahnhofstraße 11
67146 Deidesheim

More in Deidesheim

Franzi, Sven, Anke und Stefan ziehen gemeinsam in eine WG. Doch gemeinsam zu wohnen ist gar nicht so einfach für so unterschiedliche Charaktere. Wie gut, dass Franzi damit beginnt eine Schlager-Einweihungsparty zu organisieren...

Für die wilde Musikkomödie wurden junge Talente der Stage & Musical Academy Frankfurt engagiert.
Freut euch auf diese einzigartige musikalische Reise in die wilden 70er!

Autor: Ole Lehmann
Regie: Felicitas Hadzik

Event data provided by: Reservix

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In the evening: 3-COURSE THEATER DINNER (choice of several main courses - fish, meat, vegetarian).

ATTENTION: The total price of the show - without drinks - is 79 €. 35 € for the ticket ordered here and mandatory/required 44 € plus costs for ordered drinks per person for the theater dinner on the evening of the show.

Doors open at 18:15 - Please arrive by 18:45.

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----------------------
Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
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Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
----------------------
Theresia Walser has written a monstrously funny comedy, which, while not documentary, suggests connections to characters from contemporary history not entirely by chance.
----------------------
Director: Annett Segerer
Cast: Susan Hecker, Amelie Heiler, Rosalie Schlagheck, Thorsten Krohn

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Ich bin wie ihr, ich liebe Äpfel

I AM LIKE YOU, I LOVE APPLES by Theresia Walser
----------------------
Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
----------------------
Theresia Walser has written a monstrously funny comedy, which, while not documentary, suggests connections to characters from contemporary history not entirely by chance.
----------------------
Director: Annett Segerer
Cast: Susan Hecker, Amelie Heiler, Rosalie Schlagheck, Thorsten Krohn

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a play by ?seen it! the damned folk theater

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Doors open at 7:00 PM - free seating

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a play by ?seen it! the damned folk theater

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Doors open at 7:00 PM - free seating

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a play by ?seen it! the damned folk theater

Three fallen dictators rehearse themselves anew – absurd, vain, and full of repression. In Theresia Walser's sharp-witted satire "Ich bin wie ihr, ich liebe Äpfel," power, media, and populism collide. A biting, highly comedic chamber play about political vanities and the grotesque staging of one's own innocence.

Doors open at 7:00 PM - free seating

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a play by ?seen it! the damned folk theater

Three fallen dictators rehearse themselves anew – absurd, vain, and full of repression. In Theresia Walser's sharp-witted satire "Ich bin wie ihr, ich liebe Äpfel," power, media, and populism collide. A biting, highly comedic chamber play about political vanities and the grotesque staging of one's own innocence.

Doors open at 7:00 PM - free seating

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Ich bin wie ihr, ich liebe Äpfel – von Theresia Walser

a play by ?seen it! the damned folk theater

Three fallen dictators rehearse themselves anew – absurd, vain, and full of repression. In Theresia Walser's sharp-witted satire "Ich bin wie ihr, ich liebe Äpfel," power, media, and populism collide. A biting, highly comedic chamber play about political vanities and the grotesque staging of one's own innocence.

Doors open at 7:00 PM - free seating

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Ich bin wie ihr, ich liebe Äpfel – von Theresia Walser - Derniere

a play by ?seen it! the damned folk theater

Three fallen dictators rehearse themselves anew – absurd, vain, and full of repression. In Theresia Walser's sharp-witted satire "Ich bin wie ihr, ich liebe Äpfel," power, media, and populism collide. A biting, highly comedic chamber play about political vanities and the grotesque staging of one's own innocence.

Doors open at 7:00 PM - free seating

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Adam is the new arrival in Ivan's rehabilitation camp. Ivan wants to make a good person out of Adam. Adam successfully resists. Good fights against evil, and the loser is already determined. But then a third power suddenly intervenes.
A biting black comedy with absurd situations, quirky characters, firearms, and apple pie.

The production takes the characters from film history as a springboard. The photos cannot do justice to the dynamics of the production – as they only show fragments of Sebastian Kreuz's very intense performance.
Sebastian Kreuz, remembered by many people in Karlsruhe for numerous productions at the State Theatre, is the narrator in Adams Äpfel – and the actual main character. He plays all roles, quickly slipping into the characters, propelling the story of good and evil in man forward with the pace and precision of a divine, devilish puppeteer.
He masters this craft wonderfully. The puppets, only partially shaped by set designer Matthias Hänsel, become – literally – incredibly alive when he lends them his facial expressions, gestures, and language. On an oversized table, they move like on a chessboard. They appear as figures from a grotesque comic – and infinitely lonely and vulnerable on the empty space. The story and the emotional performance of Sebastian Kreuz move between the grotesque exaggeration of the characters and their vulnerable humanity. The gently hellish electro-punk of “Nine Inch Nails” adds another dimension as the soundtrack.

Cast: Sebastian Kreutz
Set and puppets: Matthias Hänsel
Director: Friederike Krahl
Duration: 80 minutes without an intermission

Entry: 30 minutes before the start of the performance - No entry after the start of the performance

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I AM LIKE YOU, I LOVE APPLES by Theresia Walser
----------------------
Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
----------------------
Theresia Walser has written a monstrously funny comedy, which, while not documentary, suggests connections to characters from contemporary history not entirely by chance.
----------------------
Director: Annett Segerer
Cast: Susan Hecker, Amelie Heiler, Rosalie Schlagheck, Thorsten Krohn

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Ich bin wie ihr, ich liebe Äpfel

I AM LIKE YOU, I LOVE APPLES by Theresia Walser
----------------------
Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
----------------------
Theresia Walser has written a monstrously funny comedy, which, while not documentary, suggests connections to characters from contemporary history not entirely by chance.
----------------------
Director: Annett Segerer
Cast: Susan Hecker, Amelie Heiler, Rosalie Schlagheck, Thorsten Krohn

Wasserburg am Inn

5/3/2025
8:00 PM

Ich bin wie ihr, ich liebe Äpfel

I AM LIKE YOU, I LOVE APPLES by Theresia Walser
----------------------
Three women in a heap. Three women in a heap in the light of the public eye. Three women in a heap in the light of the public eye who are also the widows (or almost-widows) of dictators. The title of Theresia Walser's play "I am just like you, I love apples" fits like a glove. Who wouldn't be able to casually chat about a drinking bout with Stalin or Mao's suggestive advances. And in between, a simultaneous interpreter, who is neither to be envied nor underestimated ...
----------------------
Theresia Walser has written a monstrously funny comedy, which, while not documentary, suggests connections to characters from contemporary history not entirely by chance.
----------------------
Director: Annett Segerer
Cast: Susan Hecker, Amelie Heiler, Rosalie Schlagheck, Thorsten Krohn

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Friederike, the head maid at Buffschen Hofe, has brought you a basket full of sweet apples. But oh no, the basket is empty! Only a letter with riddles is left. What now? Will you join poor Friederike on the search and help her solve all the tasks?
Recommended age: 5-10 years

Text and direction: Oliver Meyer-Ellendt

Duration: 1 hour

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Doors open: 19:00 Uhr

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Adams Äpfel

Adam is the new arrival in Ivan's rehabilitation camp. Ivan wants to make a good person out of Adam. Adam successfully resists. Good fights against evil, and the loser is already determined. But then a third power suddenly intervenes.
A biting black comedy with absurd situations, quirky characters, firearms, and apple pie.

The production takes the characters from film history as a springboard. The photos cannot do justice to the dynamics of the production – as they only show fragments of Sebastian Kreuz's very intense performance.
Sebastian Kreuz, remembered by many people in Karlsruhe for numerous productions at the State Theatre, is the narrator in Adams Äpfel – and the actual main character. He plays all roles, quickly slipping into the characters, propelling the story of good and evil in man forward with the pace and precision of a divine, devilish puppeteer.
He masters this craft wonderfully. The puppets, only partially shaped by set designer Matthias Hänsel, become – literally – incredibly alive when he lends them his facial expressions, gestures, and language. On an oversized table, they move like on a chessboard. They appear as figures from a grotesque comic – and infinitely lonely and vulnerable on the empty space. The story and the emotional performance of Sebastian Kreuz move between the grotesque exaggeration of the characters and their vulnerable humanity. The gently hellish electro-punk of “Nine Inch Nails” adds another dimension as the soundtrack.

Cast: Sebastian Kreutz
Set and puppets: Matthias Hänsel
Director: Friederike Krahl
Duration: 80 minutes without an intermission

Entry: 30 minutes before the start of the performance - No entry after the start of the performance

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"We cultivate the cultural heritage of one of the most colorful figures of East German rock, the rock and blues legend Peter Cäsar Gläser. He left behind a musical treasure with songs from his time in the 'Klaus Renft Combo', the band 'Karussell', as well as 'Cäsars Rockband' or 'Cäsar und die Spieler'. We have unearthed this treasure. And we call it 'Apfeltraum'. 'Apfeltraum' is the original Cäsar revival and has been tirelessly touring for ten years now.

In countless concerts, we travel far and wide for Cäsar, Karussell, and also Renft fans, and those who want to become one. Together, we dive into memories of the great heroes of our youth by bringing the soundtracks of the past back to life - as original as possible and as newly interpreted as necessary."

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Adam is the new arrival in Ivan's rehabilitation camp. Ivan wants to make a good person out of Adam. Adam successfully resists. Good fights against evil, and the loser is already determined. But then a third power suddenly intervenes.
A biting black comedy with absurd situations, quirky characters, firearms, and apple pie.

The production takes the characters from film history as a springboard. The photos cannot do justice to the dynamics of the production – as they only show fragments of Sebastian Kreuz's very intense performance.
Sebastian Kreuz, remembered by many people in Karlsruhe for numerous productions at the State Theatre, is the narrator in Adams Äpfel – and the actual main character. He plays all roles, quickly slipping into the characters, propelling the story of good and evil in man forward with the pace and precision of a divine, devilish puppeteer.
He masters this craft wonderfully. The puppets, only partially shaped by set designer Matthias Hänsel, become – literally – incredibly alive when he lends them his facial expressions, gestures, and language. On an oversized table, they move like on a chessboard. They appear as figures from a grotesque comic – and infinitely lonely and vulnerable on the empty space. The story and the emotional performance of Sebastian Kreuz move between the grotesque exaggeration of the characters and their vulnerable humanity. The gently hellish electro-punk of “Nine Inch Nails” adds another dimension as the soundtrack.

Cast: Sebastian Kreutz
Set and puppets: Matthias Hänsel
Director: Friederike Krahl
Duration: 80 minutes without an intermission

Entry: 30 minutes before the start of the performance - No entry after the start of the performance

Karlsruhe

6/27/2025
10:00 PM

"Friederike und die Äpfeldiebe" - Führung im Kostüm für Kinder

Friederike, the head maid at Buffschen Hofe, has brought you a basket full of sweet apples. But oh no, the basket is empty! Only a letter with riddles is left. What now? Will you join poor Friederike on the search and help her solve all the tasks?
Recommended age: 5-10 years

Text and direction: Oliver Meyer-Ellendt

Duration: 1 hour

Wetzlar

9/28/2025
11:00 AM

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