Dieses Konzert ist Teil der durch Kulturfonds Frankfurt RheinMain geförderten Jazz is My Democracy Reihe. Der oder die KünstlerIn wird vor dem Konzert vor Publikum interviewt.
Jazz is My Democracy x Jazzklub
Der Jazzklub ist ein dreimonatiges hybrides Ausstellungs-, Konzert- und Veranstaltungsprojekt zum Thema „Jazz“ im Museum Angewandte Kunst in Frankfurt am Main. Im Zentrum eines größeren Ausstellungsparcours entsteht ein Jazzklub, der in Kooperation mit Jazz Montez zum Ort für mehr als 60 Konzerte, Veranstaltungen und Workshops wird.
Im Rahmen des Jazzklub-Projektes, wird das bereits bestehende journalistische Format „Jazz Is My Democracy“ in mehrere Formate erweitert: Konzertabende, Tanzvermittlung und Dialogformate verknüpfen den Jazz mit demokratischen Werten, politischem Bewusstsein und gesellschaftlicher Verantwortung. Künstler:innen, Kulturwissenschaftler:innen und politische Aktivist:innen setzen mit den Formaten ein Zeichen gegen Rassismus und rechte Gewalt. Das mit „Jazz Is My Democracy“ verbundene Tanzvermittlungsprogramm beleuchtet die Verknüpfung von Jazz und Tanz aus einer gesellschaftspolitischen Perspektive. Es bietet interaktive Workshops, Performances und Diskussionsformate, die sich mit der afro-diasporischen Geschichte des Jazz, der Widerstandskultur und der Rolle von Jazz in gesellschaftspolitischen Diskursen auseinandersetzen.
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BILLY COBHAM turns 80 in May 2024 and doesn't even think about retiring.
In fact, he will celebrate the original Billy Cobham Band revisited: Billy Cobham's Time
Machine
"Time Machine is an updated version of my production that featured Michael Brecker,
RandyBrecker, Glenn Ferris, Alex Blake, John Abercrombie, Milcho Leviev and Lee Pastora. 50 years have “blown by” since then. I have rarely performed some of the music from that period. "Solarization", "Total Eclipse", "Bandits”, “Crescent Sun”, "Moon Germs” and “Sea of Tranquility” have barely seen the light of day in any of my productions so, I am now focused upon resurrecting them around music that the Total Eclipse portfolio has inspired me to create." - Billy Cobham
Born in Panama on May 16, 1944, and raised in Brooklyn, New York, Cobham got his first
paid gig at the age of eight as a member of St. Catherine's Queensmen, a drum and bugle
corps in St. Albans, Queens. He attended New York's renowned Fiorella H. LaGuardia High
School of Music & Art and the Performing Arts, where he studied music theory and drum
technique.
While in the military from 1965 to 1968, Cobham played with the U.S. Army Band as percussionist. After his service, he played in Horace Silver's Band, performed with Stanley Turrentine and Shirley Scott, and recorded with George Benson.
In 1969, Billy Cobham co-founded the jazz-rock combo, Dreams, which included Randy Brecker, Michael Brecker, John Abercrombie, Don Grolnick, Barry Rodgers, and Will Lee. The following year, he joined Miles Davis' new fusion ensemble, and contributed to Live - Evil, A Tribute to Jack Johnson and the Bitches Brew sessions, where he collaborated with guitarist John McLaughlin.
In 1971, Cobham became a founding member of the jazz -
fusion Mahavishnu Orchestra, alon g with McLaughlin, Jan Hammer, Jerry Goodman, and Rick Laird. This original group released three critically acclaimed albums: The Inner Mounting (1971), Birds of Fire (1973) and Between Nothingness and Eternity (live album released in 1973).
In 1973, Cobh am released his debut solo album, Spectrum, a breakthrough in jazz - fusion that is universally recognized as one of the genre's most significant and influential creations. Spectrum was recorded at Iimi Hendrix's Electric Lady Studios in New York City. Cobham's lineup for the album featured Tommy Bolin on guitar, Jan Hammer on electric piano, moog synthesizer & piano and Lee Sklar on bass. Also in 1973, Cobham toured with John McLaughlin and Carlos Santana, performing material from the album, Love Devotion Surrender.
In 1974, the original lineup of the Mahavishnu Orchestra disbanded. Cobham continued to create innovative fusion material with the release of Crosswind (1974), Shabaz, (1974) Total Eclipse (1974),
A Funky Thide of Sings (1975) and Life and Times (1976).
During the 70's and 80's, Cobham recorded for Atlantic, CBS, Elektra, and GRP. He collaborated with George Duke, John Scofield, Tony Williams, Jack Bruce, and The Grateful Dead spinoff band Bobby & the Midnites.
In 1992, Cobham was appointed to work with UNICEF to work with autistic outpatients and street children in Santos, Brazil in a musical project that lasted for several years.
In 2001, Cobham released the two-CD retrospective, Rudiments: The Billy Cobham Anthology. In 2002, he began releasing a series of CD's featuring special artists, entitled Drum n Voice.
By 2005, Cobham had recorded and released over 30 recordings under his name. He developed and enjoyed a special musical collaboration with the Cuban group, Asere.
In 2007, he released Fruit from the Loom, which is a wide-ranging representation of Cobham's roots and journeys. In 2010, Cobham released Palindrome, the second installment from the Fruit from the Loom series.
In 2011, Cobham began teaching drums online at The Jazz & Fusion Dr um School with Billy Cobham.
In 2013, Cobham celebrated the 40th anniversary of the release of Spectrum by touring the U.S., Canada and Europe with the Spectrum 40 Band. Also that year, Purple Pyramid Records released the Billy Cobham Compass Point two-CD set, recorded live at Compass Point Hotel in the Bahamas in 1997, which was never released before.
Early 2014 marks the release of the much - anticipated "Tales from the Skeleton Coast", which is the third installment of four recordings produced as a comme moration and celebration of Cobham's mother and father, both of whom were musicians. In his words, "Tales from the Skeleton Coast reflects life experiences that I shared with my parents that I hold dear in my heart and mind, including impressions instilled in me while touring the region of what was previously called southwestern Africa but is now known as Namibia. The images of the Skeleton Coast in particular, still burn within me and through the music, I've created a sonic reflection of those cherished experiences.
Copyright: H. J. Maquet
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Hallo, ich bin Maya.
