With the monthly series "circuits", Paul Janoschka and DIE FABRIK regularly present current, modern variations of jazz - open to new line-ups, new sounds, and new ideas.
Usually on the 3rd Thursday of the month, he invites guests, and today they are: Loris Grillo, who has become a part of the Paris jazz scene.
The German saxophonist Grillo stylistically navigates between contemporary music, improvisation, and modern jazz. The young double bassist Léo Messina, from the Lyon region, is currently involved in various jazz projects at the Paris Conservatory CNSMDP after a classical and jazz education. Dylan Choisi quickly made a name for himself in the Paris area after his studies. His concerts have already taken him across Europe and the USA, most recently with the band "AMG" to the New York Winterjazz 2026, or with saxophonist Jowee Omicil across Europe.

Line-up:
Loris Grillo - sax
Paul Janoschka - piano
Léo Messina - double bass
Dylan Choisi - drums

Doors: 19:00 hrs

ANGST UND MISSTRAUEN IN KRISENZEITEN
21.5.2026, 19:30 Uhr

Prof. Dr. Vera King
Professor of Sociology and Psychoanalytic Social Psychology, Director of the Sigmund Freud Institute Frankfurt, Research Center for Normative Orders at Goethe University Frankfurt a.M.

Moderation: Rebecca C. Schmidt, Research Center for Normative Orders at Goethe University Frankfurt a.M.

Fear is spreading. It seems to paralyze our actions and sow distrust in our society. Increasingly, emotionalization is replacing sober political analysis, manifesting in hate and agitation. Our hopes give way to bleak visions of the future, and the sense of personal powerlessness replaces individual responsibility. It is high time to shed a differentiated light on this multifaceted emotion – from a social psychological, sociological, and legal philosophical perspective. We want to critically examine the function of fear in our society and take a closer look at its effects.

After the success of his first solo tour with numerous high-profile and sold-out shows, Bobby Vandamme, the "Govaneur," returns in May 2026 to even bigger stages and promises an even more impressive and wilder show!

Just a few weeks ago, Bobby Vandamme amazed his fans with his first solo tour. And it couldn’t have gone more successfully.

At the very first show, the live version of “El Capitano” became a real hit - live on-site with countless mosh pits as well as on social media. With a total of ten mostly high-profile and sold-out shows in Germany, Austria, and Switzerland, he delivered a show that is unmatched - and the fans were thrilled. With unannounced appearances by high-profile rap colleagues and friends like Farid Bang, Milano, or Azet, with whom he released the joint single “Buscape” during the tour, he also had some surprises in store for his fans.

It’s no wonder that everyone is calling for more - and he wouldn’t be the Gova if he didn’t raise the stakes again...

So, he returns in May 2026 as “Der Govaneur” to even bigger stages and already promises an even more impressive and wilder show. Not much will be revealed yet, but one thing is certain: Fans can expect an energy-filled show and new songs and will experience an unforgettable evening full of fun, surprises, and goosebump moments!

Doors open: 18:30 Uhr

Schostakowitsch pur

Boris Giltburg | Piano
Kahchun Wong | Conductor

Dmitri Shostakovich | Festive Overture
Dmitri Shostakovich | Piano Concerto No. 2
Dmitri Shostakovich | Symphony No. 5

Three times Shostakovich, and three times a completely different face: first in the Suite with its idiosyncratic jazz idiom, then in the mighty fresh shower of sound of the Piano Concerto No. 2 with its warm middle movement jewel, and finally in the Symphony No. 5, which trumps in an unreal way. Kahchun Wong, who was the first Asian to win the prestigious Mahler Competition of the Bamberg Symphony Orchestra in 2016, is conducting the Frankfurt Radio Symphony for the first time. He will delve deep into Shostakovich's world, together with a pianist who knows how to navigate it like no other. "I'm addicted to Shostakovich's music, to this naked power," says Boris Giltburg, whose CD recording of the Shostakovich piano concertos is one of the best currently available. What Giltburg says for himself also determines the listening experience: "This is music that makes you tremble."

Concert duration: about 135 minutes – including break
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House opens: 19:00 After the concert begins, there is no right to enter the hall.

New scenes and songs from Die Schmiere
Cabaret, satire, and sung performances

With "In Stöckelschuhen durchs Himbeereis", Die Schmiere presents a cabaret scene program about the absurdities and pitfalls of modern life. A program about the small and large mishaps of the private sphere, the great dangers and wrong turns of public life. About the delusion and also the dumbing down in our colorful, dazzling media world.
And when words fail, language breaks down, a visitor from the capital comes and it will be sung.
Special guest: Horst Blue
On stage: Christina Wiederhold, Georg Keim, and Matthias Stich

The Hot-Theater Tromm presents:
RIESELGROSS UND KIESELKLEIN - a sand game for all people aged 3 and over
by Ann-Kathrin Kuppel, Lina Zimmer, Jürgen Flügge

The two colorful beings Lou and Bo unexpectedly meet in the sandbox and invent imaginative games together with the material that surrounds them. Quickly, the boundaries of "mine" and "yours" (in the sand) blur, and Lou and Bo dive headfirst into the trickling experience.

They create new worlds and sand monsters, explore sounds and volcanoes, using sand and water to shape wonderfully ephemeral creations.

Sometimes there is a little friction in their still new friendship, but no argument is too giant for them to find each other again. And all it takes is a tiny pebble treasure and a little sand.

Accompanied by gentle music, big amazement, and captivating playfulness, both young and old are encouraged to discover on their own and to create creatively. Because sand can be anything, every child knows that. Beautiful, soft, dusty, mushy, dirty, SAND. A material with many properties. You can let the sand trickle through your fingers, shape it and destroy it, you can lose treasures in it and find them again. Just like new friends.

Starring Ann-Kathrin Kuppel and Lina Zimmer
Director: Jürgen Flügge
Stage: KISA Kisten Sauer, Costumes: Eunike Krastel

Event photo © Hof-Theater Tromm

Doors open at 9:00 AM

The Hot-Theater Tromm presents:
RIESELGROSS UND KIESELKLEIN - a sand game for all people aged 3 and over
by Ann-Kathrin Kuppel, Lina Zimmer, Jürgen Flügge

The two colorful beings Lou and Bo unexpectedly meet in the sandbox and invent imaginative games together with the material that surrounds them. Quickly, the boundaries of "mine" and "yours" (in the sand) blur, and Lou and Bo dive headfirst into the trickling experience.

They create new worlds and sand monsters, explore sounds and volcanoes, using sand and water to shape wonderfully ephemeral creations.

Sometimes there is a little friction in their still new friendship, but no argument is too giant for them to find each other again. And all it takes is a tiny pebble treasure and a little sand.

Accompanied by gentle music, big amazement, and captivating playfulness, both young and old are encouraged to discover on their own and to create creatively. Because sand can be anything, every child knows that. Beautiful, soft, dusty, mushy, dirty, SAND. A material with many properties. You can let the sand trickle through your fingers, shape it and destroy it, you can lose treasures in it and find them again. Just like new friends.

Starring Ann-Kathrin Kuppel and Lina Zimmer
Director: Jürgen Flügge
Stage: KISA Kisten Sauer, Costumes: Eunike Krastel

Event photo © Hof-Theater Tromm

Doors open at 9:00 AM

Photo: The Horst Sessions © private

Curated by Fabian Habicht and Frederich Helbing, a freshly assembled ensemble will also perform the opener set for Edition #84. Here, people come together who have probably never played together before. The first set is intended to resonate entirely in the spirit of the Horst Sessions. Collective improvisation, new connections, exchange, risk. The exact lineup will remain a surprise until shortly before the start.

The idea of the Horst Sessions is to provide a platform for the diversity, creativity, and experimental spirit of the Rhine/Main music scene and present it live to an audience. A place for musicians, for music lovers, for music enthusiasts, for open ears and dry mouths. A place of exchange, of getting to know each other, and of inspiration. After a short set by the opener band, the jam session will be opened, and fellow musicians with their own instruments are warmly welcome. On-site, there are guitar and bass amplifiers, keys, mics, and a drum kit.

Entrance from 7:00 PM

During government-critical protests in the spring of 2024, the video opera "Death in Peace" was created in the streets of Tbilisi. In the production by Ayla Pierrot Arendt, embedded in the stirring sound world of the composer duo Nika Pasuri and Ani Zakareishvili, the protagonists of three different nationalities meet on four screens: two Georgians, two Germans, and a Russian in Georgian exile. Equipped with their respective notions of peace and freedom, friend and foe, which cannot be disentangled from their political biographies, they encounter each other in the narrative of the Georgian Natia and the Russian deserter Andrej. It doesn't take long before Andrej is dead, accidentally shot, in the very German embassy in Tbilisi, by the ambassador's husband. His death raises many questions: about the price of freedom, the limits of diplomacy, the gaps and myths of collective identity, and about loyalties – grounded in a spreading fear in an insecure Europe full of conflicts.

A stirring composition of essential questions regarding physical threat, territorial demarcation, the danger of war, and longing for peace. – MADE.Jury

© Eike Walkenhorst

During government-critical protests in the spring of 2024, the video opera "Death in Peace" was created in the streets of Tbilisi. In the production by Ayla Pierrot Arendt, embedded in the stirring sound world of the composer duo Nika Pasuri and Ani Zakareishvili, the protagonists of three different nationalities meet on four screens: two Georgians, two Germans, and a Russian in Georgian exile. Equipped with their respective notions of peace and freedom, friend and foe, which cannot be disentangled from their political biographies, they encounter each other in the narrative of the Georgian Natia and the Russian deserter Andrej. It doesn't take long before Andrej is dead, accidentally shot, in the very German embassy in Tbilisi, by the ambassador's husband. His death raises many questions: about the price of freedom, the limits of diplomacy, the gaps and myths of collective identity, and about loyalties – grounded in a spreading fear in an insecure Europe full of conflicts.

A stirring composition of essential questions regarding physical threat, territorial demarcation, the danger of war, and longing for peace. – MADE.Jury

© Eike Walkenhorst

During government-critical protests in the spring of 2024, the video opera "Death in Peace" was created in the streets of Tbilisi. In the production by Ayla Pierrot Arendt, embedded in the stirring sound world of the composer duo Nika Pasuri and Ani Zakareishvili, the protagonists of three different nationalities meet on four screens: two Georgians, two Germans, and a Russian in Georgian exile. Equipped with their respective notions of peace and freedom, friend and foe, which cannot be disentangled from their political biographies, they encounter each other in the narrative of the Georgian Natia and the Russian deserter Andrej. It doesn't take long before Andrej is dead, accidentally shot, in the very German embassy in Tbilisi, by the ambassador's husband. His death raises many questions: about the price of freedom, the limits of diplomacy, the gaps and myths of collective identity, and about loyalties – grounded in a spreading fear in an insecure Europe full of conflicts.

A stirring composition of essential questions regarding physical threat, territorial demarcation, the danger of war, and longing for peace. – MADE.Jury

© Eike Walkenhorst

Die Dämonie der Liebe – Martin Heidegger & Hannah Arendt
A play by Ralph Günther Mohnnau
Duration: 70 min. without intermission
Director: Pernilla Raue-Deppeler
Music: Matthias Raue
Cast: Celia Hirt, Jochen Nötzelmann

In the autumn of 1924, the young and beautiful student Hannah Arendt attends the lecture of the celebrated rebellious philosopher Martin Heidegger. What occurs is what Heidegger referred to as "the sudden lightning," that glance with which lovers recognize one another. "The demonic has struck me," he writes to Hannah Arendt, "never has anything like this happened to me before." Hannah Arendt, "the girl from abroad," succumbs to the "dark fascination" of Heidegger, the "wizard of Meßkirch."

The political circumstances force the lovers in opposite directions. Heidegger allies himself with National Socialism, becoming rector of the University of Freiburg. Hannah Arendt, pushed to the margins of society as a Jew, manages to leave Germany with some luck.

After their reunion in 1950 in Freiburg - Hannah Arendt now a world-famous, award-winning publicist; Heidegger, reviled and despised as a Nazi, subjected to a teaching ban - their relationship resumes.

A love of betrayal and the passion of thought.

A love that, despite everything, lasts a lifetime and is unshakeable.

Awarded the "Heidelberg Student Kiss" as part of the Heidelberg Theater Days 2015.

Venus im Pelz (Venus In Furs) by David Ives

Thomas, a young author and director, has written a play: "Venus im Pelz", an adaptation of the novella of the same name by Leopold von Sacher-Masoch from 1870. The protagonist of the story is Severin von Kusiemski, who submits himself physically and psychologically to the wealthy widow Wanda von Dunajew. At the end of a day full of unsuccessful auditions, a young actress appears in Thomas' rehearsal room - Wanda Jordan. Thomas is not particularly impressed by her. But Wanda not only has unusually great talent, a cleverly equipped wardrobe, and impressive background knowledge, she also has an extremely strong will. Thus, her emotionally charged audition turns into a power struggle, where the boundaries between fantasy and reality, seduction and power become increasingly permeable.

This erotic comedy is based on the eponymous Broadway play by American author David Ives, which in turn was adapted from the Austrian writer Leopold von Sacher-Masoch.

Doors open: 7:00 PM

New scenes and songs from Die Schmiere
Cabaret, satire, and sung performances

With "In Stöckelschuhen durchs Himbeereis", Die Schmiere presents a cabaret scene program about the absurdities and pitfalls of modern life. A program about the small and large mishaps of the private sphere, the great dangers and wrong turns of public life. About the delusion and also the dumbing down in our colorful, dazzling media world.
And when words fail, language breaks down, a visitor from the capital comes and it will be sung.
Special guest: Horst Blue
On stage: Christina Wiederhold, Georg Keim, and Matthias Stich

Special Guests: DJ Mishkeen, C.C.RAW, Masurka

As with several birthdays on the same day, we won’t celebrate individually but raise a glass together. On May 23, 2026, the new EPs from Dizzepticon, Coodiny, and SenZ will land on streaming platforms. But instead of experiencing the drop alone in the feed, it will happen at Mousonturm as a chain reaction of premieres and fresh tracks. For this release party, they have also invited DJ Mishkeen, C.C. Raw, and Masurka, who will also present new projects. Six artists, five releases, limited to 80 spots. Live and direct.

DJ from 6:00 PM

The name of the orchestra stands out among the numerous chamber orchestras: all musicians are trained professional musicians with international concert experience, who all perform solo in the core setup of a chamber orchestra. On the other hand, the word Philharmonie embodies the core idea: simply the love for harmony!

The program

Antonio Vivaldi - Die vier Jahreszeiten
La Primavera (Spring)
L‘estade (Summer)
L’autunno (Autumn)
L’inverno (Winter)

Works by
Wolfgang Amadeus Mozart
Johann Sebastian Bach
Johannes Brahms

Solo Violin: Vladik Otaryan

Copyright: Philharmonie der Solisten

Admission: 7:30 PM

The interactive exhibition experience takes you on a journey through time, art, and creation. With the help of the latest technologies, you will become part of Leonardo's workshop, paint your own masterpiece, and wander through Hieronymus Bosch's world-famous painting "The Garden of Earthly Delights."

Face the questions of the most famous woman in the history of art – Mona Lisa herself. The world's first talking AI painting will converse with you, comment on your creations, and invite you to reflect on creativity, identity, and creation.

This unique exhibition brings together art, artificial intelligence, and virtual reality across six rooms in a completely new experience. You will not just admire works – you will enter, alter, and recreate them. Embark on a journey through art history, through rooms filled with puzzles, interactive masterpieces, and surreal dream worlds.

Opening hours: Saturday – Sunday from 12:00 – 19:00. Last entry is at 18:00.
Duration: Plan for about 75–90 minutes for your immersive experience. Please arrive 15 minutes before your booked time to ensure timely entry.
Payment: Online ticket purchase recommended. On-site only cashless (PayPal / credit card).
Location: THE SQUAIRE West, Am Flughafen, 60549 Frankfurt am Main. Entrance 18, 6th floor.
Recommended age: From 6 years (younger children only recommended with adult supervision).
Accessibility: Main areas are accessible, and elevators to the location are available.

Do you have any further questions? Feel free to check our FAQ at monalisasgeheimnis.de. We look forward to seeing you!

We kindly ask you to arrive about 15 minutes before your booked slot in the exhibition.

Welcome to the DFB Campus - the home of German football

The DFB Campus in Frankfurt am Main is the headquarters of the German Football Association. Since June 2022, the campus on Kennedyallee has been the home of the DFB. For the first time in its more than 125-year history, the DFB operates its own sports infrastructure. Administration, sports, and science are all under one roof. This makes the DFB Campus a place of interaction and exchange for grassroots and elite sports.

Would you like to take a look behind the scenes? Here you will learn what the daily life of teams, referees, and coaches looks like and how the coordination of national football works. Come by and visit our DFB Campus.

Entry: 15 minutes before the start

Venus im Pelz (Venus In Furs) by David Ives

Thomas, a young author and director, has written a play: "Venus im Pelz", an adaptation of the novella of the same name by Leopold von Sacher-Masoch from 1870. The protagonist of the story is Severin von Kusiemski, who submits himself physically and psychologically to the wealthy widow Wanda von Dunajew. At the end of a day full of unsuccessful auditions, a young actress appears in Thomas' rehearsal room - Wanda Jordan. Thomas is not particularly impressed by her. But Wanda not only has unusually great talent, a cleverly equipped wardrobe, and impressive background knowledge, she also has an extremely strong will. Thus, her emotionally charged audition turns into a power struggle, where the boundaries between fantasy and reality, seduction and power become increasingly permeable.

This erotic comedy is based on the eponymous Broadway play by American author David Ives, which in turn was adapted from the Austrian writer Leopold von Sacher-Masoch.

Doors open: 7:00 PM

Three couples - one evening. The first couple is newly in love, the second struggles with everyday life, and the third with being a couple. No wonder they invite you to a "couples' evening." How lovely! But as the saying goes, nothing is so beautiful that it couldn't be even more beautiful. Thus, not only do the dynamics between the pairs wonderfully heat up the preparations, but also the shared past ensures that the evening inevitably heads towards a disaster. But with good Rioja, of course. Couples' evening indeed!

Stefani Kunkel and Julian W. König play all three couples with versatility, laying bare the different stages of being a pair in a brutally funny manner.

Anne: What are you doing here?
Georg: Living here.
Anne: Already?
Georg: I could leave early today.
Anne: I see.

Boredom certainly doesn't come for a second with actors who convincingly portray overwhelmed couples, making die-hard singles wonder: "How can people put themselves through something like this?" Claudia Schülke, FAZ

"A small feat in itself with a view of the gutted subject" Stefan Michalzik, FR

Doors open at 7 p.m.