eventsTODAY - CAVEMAN - Martin Luding on 1/10/2025 in Stuttgart

Premieres of Virginie Brunelle and The Blue Bride by Barak Marshall
Premiere of Eric Gauthier, Podcast Vol. 1 & 2
as well as Alejandro Cerrudo, Lickety-Split and Nacho Duato, Jardi Tancat

One year after the sensationally successful debut with RENAISSANCE, the Gauthier Dance JUNIORS present a second program of their own, consisting of two premieres, two established classics of contemporary dance, and a completely new podcast format hosted by Eric Gauthier. The original title of the concept evening was: Something old something new something borrowed something blue, as required by the good luck tradition for the wedding dress in the Anglo-Saxon world. Indeed, each of the four pieces refers to one of the four elements of good luck. Together, they are also meant to bring the Gauthier Dance JUNIORS much luck for their future in dance!

Something old: A remarkably fitting choice for the JUNIORS is Jardi Tancat (Catalan for an enclosed garden). Nacho Duato also created his choreographic debut in 1983 for a junior company, NDT 2. The atmospheric piece is named after the eponymous album by Catalan folk singer Maria del Mar Bonet, an icon of the resistance against the Franco regime. The lyrics, like the dance of the three pairs clad in earthy colors, evoke the hard peasant life, in the relentless fight against the dryness and barrenness of the Catalan soil.

Something new: Virginie Brunelle is considered one of the great hopes of Canadian dance. Those familiar with the two previous collaborations with Gauthier Dance will confirm this. The intimate, poetic group piece Beating for the concept evening Grandes Dames aimed to synchronize the heartbeats of the performers. In the passionate solo Off White for The Dying Swans Project, which she created during the pandemic via Zoom from Canada, she had a dancer run against loneliness. Her next premiere for the JUNIORS is already in the pipeline. The excitement is building!

Something borrowed: Lickety-Split comes across as relaxed despite its speedy title, and is especially very human and humorous. To the hypnotic music of Californian indie folk singer Devendra Banhart, Alejandro Cerrudo, then the resident choreographer of Hubbard Street Dance Company Chicago, sketched the encounter of three couples: sensual, mysterious, and with a touch of eccentricity. In one of its first seasons, Gauthier Dance included the piece in the program as part of the dance evening Lucky Seven in 2011. Now it is time to pass this dance jewel on to the next young theater company...

Something blue: Barak Marshall's The Blue Bride is a winking lesson about a doomed love and the dangers of naivety, blind obedience, and jealousy. In the style of a Moritat, it begins with the bride at the altar, waiting in vain for her groom, and ends with a gruesome yet comical wedding massacre. The color blue in the title refers to the psychological instability of the abused bride, who morphs into a revenger and murderer throughout the piece. Sarcastic, witty, and underscored with love songs from around the world, The Blue Bride promises to be an extremely entertaining, fast-paced tragicomedy.

In addition to the four good luck choreographies, Eric Gauthier explores in a very special new format what brings the claim "Dream Team" to life. As the host of a podcast format, he will – like in a radio show – speak about the topic of artistic collaboration in two blocks. In Podcast Vol. 1, he interviews the choreographers involved: How does the artistic approach differ in a group piece compared to solos or pas de deux? In Podcast Vol. 2, there will be conversations with the performers – the JUNIORS. How does the best collaboration in dance succeed? And when and how does the "Dream Team Spirit" arise?

Contributors
Choreography
Virginie Brunelle
Barak Marshall
Eric Gauthier
Alejandro Cerrudo
Nacho Duato
Artistic Direction
Eric Gauthier
Ballet Master
Tara Yipp
Dance
Rebecca Amoroso
Rong Chang
Atticus Dobbie
Garance Goutard-Dekeyser
Joan Jansana Escobedo
Mathilde Roberge

Tickets for this event are no longer available - Information / Tickets at 0711-4020720

WORLD PREMIERE
“Vati und Mutti – Eine Familiengeschichte” by Marie-Elisabeth Lüdde
A project of the nomad theatre ensemble
With: Stefanie Friedrich | Gundi-Anna Schick | Klaus Gramüller | Jonathan Peller
Directed by: Daniel Klumpp | Set design: Katharina Müller | Lighting design: Alexander Joseph
Premiere: Wed 29.01.2025 - 19.30
Further performances:
Thu 30.01.2025 | Fri 31.01.2025 | Sat 01.02.2025 | Sun 02.02.2025 – each at 19.30
(Audience discussion following on Thu/Fri/Sat)

Vati and Mutti hit their children. “Mutti hits with the wooden spoon. Vati strikes with the carpet beater.” Vati and Mutti rely on “The German Mother and Her First Child.” This guide by the NS education icon Johanna Haarer, first published in 1934, unfortunately remained a bestseller until the 1980s and influenced the childhood of millions of German children. Marie-Elisabeth Lüdde narrates how this played out in practice. She bases her work on two educational diaries she found in her parents' estate. Vati and Mutti documented their beating orgies in writing. Through numerous quotes, the author allows these scandalous diaries to flow into her own narrative. To trace the roots of violence, she also outlines the backstory of her parents. A panorama of Germany in the 20th century unfolds. A compelling voice of the culture of remembrance.

Stuttgart

Maxi Gstettenbauer remains STABLE

The man with the rolling "R" and unique configuration of incisors has become indispensable in German comedy. For 15 years now, the native of Lower Bavaria has avoided regular work and entertained thousands of viewers.

Maximilian Ronald Alfons Gstettenbauer (his full name) is the affable family man who despairs of both the world and his own expectations. Unfortunately, he often does so in a loud manner, which is bad for his blood pressure but excellent for our funny bone! The proto-millennial is one of the few representatives of his craft who masters both the cheeky everyday comedy and delicate social critique.

The future is shaking the fences of our present. No one wants to move so that everything remains as it never was. Yet, the most stable buildings in the world are designed to sway in an earthquake. Because nothing breaks faster than a beam that cannot bend.

This balancing act between reliable delivery of punchlines and overwhelmed world-weariness is the artistic primordial soup of Maxi Gstettenbauer.

When all certainties have been swept off the table, the darkly humorous family man seeks answers to the big questions: Can one defend the EU's external borders in Call of Duty? Can't we just strike against climate change? And how can an atomic bomb be harmful when it's vegan?

To stay STABLE, one must move. Ideally, to a theater near you!

Stuttgart

1/30/2025
8:00 PM

Tickets

from € 33.30

CAVEMAN "Du sammeln, ich jagen!" - mit Martin Luding !! ZusatzShow !!

The American Rob Becker wrote the most successful solo piece in the history of Broadway with CAVEMAN. After CAVEMAN was celebrated by a million-strong audience in the United States, the modern caveman is now enjoying global success. Since the summer of 2000, the cult comedy has been captivating audiences in Germany who are in a relationship, have been in one, or want to be in one.

CAVEMAN offers a unique perspective on the relationship between man and woman. In the "magical underwear circle," Tom, the likable hero navigating through the thickets of relationships, encounters his ancestor from the Stone Age, who imparts millennia-old wisdom: Men are hunters and women are gatherers. This fact, which human evolution has not changed to this day. What the average man has always suspected, Tom now knows firsthand and wonders: "Why don't we just consider women and men as completely different cultures? With different languages, different behaviors, and different origins?" Inspired by this realization, Tom analyzes the strange universe of gatherers: this mysterious world of best friends, shopping, and sex. With immense need for communication, dry humor, and an ironic eye, Tom also observes the lifestyle of the hunter. He reveals what fulfillment "sitting around without talking" can mean, why men have to channel surf through the TV program, and that a conversation among hunters begins and ends with the words "Let's go to the basement and drill stuff."

CAVEMAN is pure pleasure: Everyone recognizes themselves, guaranteed. Couples look at each other and say "Just like you." The play is addictive, with records like "I've seen it ten times" not uncommon. A sparkling "one-man" spectacle with a lot of humor and depth, as described by the Frankfurter Allgemeine Sonntagszeitung, and the opinion of the TAZ: "The CAVEMAN is not only very true, but also very, very funny." Bild said: "Bitter truths, sweetly packaged. Deep insights. Incredibly funny."

Original: Defending the Caveman by Rob Becker
Translation: Kristian Bader
Direction: Esther Schweins
Production and performance rights: Theater Mogul GmbH

http://www.caveman.de

Hall opens: 7:30 PM

Wiesloch

1/30/2025
8:00 PM

Tickets

from € 28.50

nomad theatre ensemble - Vati und Mutti – Eine Familiengeschichte

Event Translation

WORLD PREMIERE
“Vati und Mutti – Eine Familiengeschichte” by Marie-Elisabeth Lüdde
A project of the nomad theatre ensemble
With: Stefanie Friedrich | Gundi-Anna Schick | Klaus Gramüller | Jonathan Peller
Directed by: Daniel Klumpp | Set design: Katharina Müller | Lighting design: Alexander Joseph
Premiere: Wed 29.01.2025 - 19.30
Further performances:
Thu 30.01.2025 | Fri 31.01.2025 | Sat 01.02.2025 | Sun 02.02.2025 – each at 19.30
(Audience discussion following on Thu/Fri/Sat)

Vati and Mutti hit their children. “Mutti hits with the wooden spoon. Vati strikes with the carpet beater.” Vati and Mutti rely on “The German Mother and Her First Child.” This guide by the NS education icon Johanna Haarer, first published in 1934, unfortunately remained a bestseller until the 1980s and influenced the childhood of millions of German children. Marie-Elisabeth Lüdde narrates how this played out in practice. She bases her work on two educational diaries she found in her parents' estate. Vati and Mutti documented their beating orgies in writing. Through numerous quotes, the author allows these scandalous diaries to flow into her own narrative. To trace the roots of violence, she also outlines the backstory of her parents. A panorama of Germany in the 20th century unfolds. A compelling voice of the culture of remembrance.

Stuttgart

Lars Reichow

with the program "BOOMERLAND"

Boomers – they are not rare animals or endangered stuffed toys, but millions of people born between 1950 and 1970. They love to laugh, often and gladly go to cabaret, are forward-looking, and enjoy life responsibly.

Reichow wants to create a monument for this generation.
At the same time, he wants to build a bridge to the Millennial generation and Generation Z.

Boomers welcome – Millennials beloved!!!

More information at http://www.larsreichow.de

No advance ticket sales possible for this event - Tickets at 0711 40 20 720

Stuttgart

1/30/2025
8:15 PM

Tickets

from € 32.20

Tord Gustavsen Trio - SEEING - new Album VÖ Sept 2024

For this event, it is no longer possible to purchase tickets in advance - Tickets / information available by calling 0711 40 20 720

Stuttgart

1/30/2025
8:00 PM

Tickets

from € 34.00

CAVEMAN "Du sammeln, ich jagen!" - mit Martin Luding

The American Rob Becker wrote the most successful solo piece in the history of Broadway with CAVEMAN. After CAVEMAN was celebrated by a million-strong audience in the United States, the modern caveman is now enjoying global success. Since the summer of 2000, the cult comedy has been captivating audiences in Germany who are in a relationship, have been in one, or want to be in one.

CAVEMAN offers a unique perspective on the relationship between man and woman. In the "magical underwear circle," Tom, the likable hero navigating through the thickets of relationships, encounters his ancestor from the Stone Age, who imparts millennia-old wisdom: Men are hunters and women are gatherers. This fact, which human evolution has not changed to this day. What the average man has always suspected, Tom now knows firsthand and wonders: "Why don't we just consider women and men as completely different cultures? With different languages, different behaviors, and different origins?" Inspired by this realization, Tom analyzes the strange universe of gatherers: this mysterious world of best friends, shopping, and sex. With immense need for communication, dry humor, and an ironic eye, Tom also observes the lifestyle of the hunter. He reveals what fulfillment "sitting around without talking" can mean, why men have to channel surf through the TV program, and that a conversation among hunters begins and ends with the words "Let's go to the basement and drill stuff."

CAVEMAN is pure pleasure: Everyone recognizes themselves, guaranteed. Couples look at each other and say "Just like you." The play is addictive, with records like "I've seen it ten times" not uncommon. A sparkling "one-man" spectacle with a lot of humor and depth, as described by the Frankfurter Allgemeine Sonntagszeitung, and the opinion of the TAZ: "The CAVEMAN is not only very true, but also very, very funny." Bild said: "Bitter truths, sweetly packaged. Deep insights. Incredibly funny."

Original: Defending the Caveman by Rob Becker
Translation: Kristian Bader
Direction: Esther Schweins
Production and performance rights: Theater Mogul GmbH

http://www.caveman.de

Hall opens: 7:30 PM

Wiesloch

1/31/2025
8:00 PM

Tickets

from € 28.50

nomad theatre ensemble - Vati und Mutti – Eine Familiengeschichte

Event Translation

WORLD PREMIERE
“Vati und Mutti – Eine Familiengeschichte” by Marie-Elisabeth Lüdde
A project of the nomad theatre ensemble
With: Stefanie Friedrich | Gundi-Anna Schick | Klaus Gramüller | Jonathan Peller
Directed by: Daniel Klumpp | Set design: Katharina Müller | Lighting design: Alexander Joseph
Premiere: Wed 29.01.2025 - 19.30
Further performances:
Thu 30.01.2025 | Fri 31.01.2025 | Sat 01.02.2025 | Sun 02.02.2025 – each at 19.30
(Audience discussion following on Thu/Fri/Sat)

Vati and Mutti hit their children. “Mutti hits with the wooden spoon. Vati strikes with the carpet beater.” Vati and Mutti rely on “The German Mother and Her First Child.” This guide by the NS education icon Johanna Haarer, first published in 1934, unfortunately remained a bestseller until the 1980s and influenced the childhood of millions of German children. Marie-Elisabeth Lüdde narrates how this played out in practice. She bases her work on two educational diaries she found in her parents' estate. Vati and Mutti documented their beating orgies in writing. Through numerous quotes, the author allows these scandalous diaries to flow into her own narrative. To trace the roots of violence, she also outlines the backstory of her parents. A panorama of Germany in the 20th century unfolds. A compelling voice of the culture of remembrance.

Stuttgart

1/31/2025
7:30 PM

Tickets

from € 19.00

Die Deutsche Ayse - von Tugsal Mogul

"The German Ayşe"
by Tuğsal Moğul

"Mama, open the fridge door and now the door of the freezer, take out all the meat and ice there and now put your head in there and stay in that position for a minute: That's how cold Germany is. No sun, lots of rain, and everyone working."

Three Turkish women from the first generation of immigrants. They arrive in a foreign country that is so different from what they had imagined. They do not want to stay long, yet they are faced with the challenge of making friends with their new home. How difficult is it to integrate into another country? And what does this country do for that? "The German Ayşe" is a scenic contribution to the ongoing debate about the success of integration. Author Tuğsal Moğul portrays in his play three strong women, whose life stories speak for themselves on stage.

Tuğsal Moğul was born in Neubeckum in 1969. In his play premiered at the Theater Münster and invited to the 2013 intercultural festival "Made in Germany" in Stuttgart, he assembles his own memories and interviews he conducted with immigrants into a joyful revue about the beginnings of migration in Germany.

"A timeless and sensitive piece that you won't easily forget." - WDR

"What makes the play so enjoyable: It depicts reality, far from ideological, cultural, or religious discussions. It simply tells the story of three people who left behind good and bad to experience bad and good elsewhere." - Ludwigsburger Kreiszeitung

Cast: Larissa Ivleva, Anne Osterloh, Katja Schmidt-Oehm, and Yavuz Köroglu

Stuttgart

1/31/2025
8:15 PM

Tickets

from € 18.00

Fisch fromm Frisör! - Die neue Show

The madness continues! EURE MÜTTER present their brand new show "Fisch fromm Frisör" - a comedy program so bold that it leaves its t-shirt on in the pool! For over 20 years, Andi Kraus, Don Svezia, and Matze Weinmann have been touring the country far and wide, shaking many a cabaret temple to its foundations. With their eighth program, EURE MÜTTER once again delight their audience with the unique mix of funny songs, quirky sketches, and absurd performances that only specialists like the three men in their black clothes can deliver. "Fisch fromm Frisör" is an incredibly varied show, packed with precisely crafted performances and sharp punchlines. No topic is foreign to the trio, as all phenomena of daily life are artistically dissected for one evening. Their YouTube channel has over 60 million views, and those who know them from the internet know: they are really funny. But only those who experience them live truly feel what a gripping "Fuck, yeah!!!" event an EURE MÜTTER stage show is. "Fisch fromm Frisör" offers two hours of never-before-seen comedy - freshly washed, gutted, and twisted. A famous critic recently compared the three comedians to a good bottle of red wine. Not because they get better with age, but because he would find it a shame to just carelessly dump them into a pot of goulash.

Stuttgart

1/31/2025
8:00 PM

Tickets

from € 30.00

Jan Plewka - "WANN WENN NICHT JETZT?"

JAN PLEWKA sings RIO REISER - When, if not now?

"Jan Plewka sings Rio Reiser", was one of the great successes at the Hamburg Schauspielhaus over ten years ago under the then artistic director Tom Stromberg. The performances were always sold out, the production has been played over 300 times throughout Germany by now. Now there is a second part of the evening, finally!

WHEN, IF NOT NOW? gathers songs from the time of Rio Reiser's solo career again, but focuses more on the songs from the Ton Steine Scherben years. Jan Plewka and Die Schwarz-Rote Heilsarmee bring the Scherben's music into the present. The songs have become darker and harder. The will for change back then is now charged with anger over today's conditions and made tangible. The cheerful hits and tender love songs have given way to political and combative songs. No more "König von Deutschland", no more "Junimond". They will play "Jenseits von Eden", "Warum geht es mir so dreckig?" and "Macht kaputt, was Euch kaputt macht".

A grand, powerful, and vivid show that moves between theater, performance, and concert. And Jan Plewka once again follows in the footsteps of Rio Reiser, making his songs his own on stage. This music is by no means yesterday's news, as even the Hamburger Abendblatt noted - and "Jan Plewka sings Rio Reiser, Part 2" another stroke of genius by Messrs. Stromberg and Plewka.

Jan Plewka / vocals
Lieven Brunckhorst / piano
Dirk Ritz / bass
Martin Engelbach / drums
Marco Schmedtje / guitar
Setting and mechanics of effect: Tom Stromberg
Premiere Autumn

Stuttgart

1/31/2025
8:15 PM

Tickets

from € 35.00

Fisch fromm Frisör! - Die neue Show

The madness continues! EURE MÜTTER present their brand new show "Fisch fromm Frisör" - a comedy program so bold that it leaves its t-shirt on in the pool! For over 20 years, Andi Kraus, Don Svezia, and Matze Weinmann have been touring the country far and wide, shaking many a cabaret temple to its foundations. With their eighth program, EURE MÜTTER once again delight their audience with the unique mix of funny songs, quirky sketches, and absurd performances that only specialists like the three men in their black clothes can deliver. "Fisch fromm Frisör" is an incredibly varied show, packed with precisely crafted performances and sharp punchlines. No topic is foreign to the trio, as all phenomena of daily life are artistically dissected for one evening. Their YouTube channel has over 60 million views, and those who know them from the internet know: they are really funny. But only those who experience them live truly feel what a gripping "Fuck, yeah!!!" event an EURE MÜTTER stage show is. "Fisch fromm Frisör" offers two hours of never-before-seen comedy - freshly washed, gutted, and twisted. A famous critic recently compared the three comedians to a good bottle of red wine. Not because they get better with age, but because he would find it a shame to just carelessly dump them into a pot of goulash.

Stuttgart

2/1/2025
8:00 PM

Tickets

from € 30.00

CAVEMAN - Martin Luding

CAVEMAN by Rob Becker

Men are hunters and women are gatherers. A fact that human evolution has not been able to change to this day. The cult comedy enthuses audiences and critics around the globe. A MUST for all who are in a relationship, have been in one, or want to be in one!

CAVEMAN takes a unique look at the relationship between man and woman. In the "magical underwear circle," Tom, the affable hero in the thicket of relationships, encounters his ancestor from the Stone Age, who allows him to partake in millennia-old wisdom: Men are hunters and women are gatherers. A fact that human evolution has not been able to change to this day. What the average man has always suspected, Tom now knows firsthand and wonders, "Why don't we just consider women and men as completely different cultures? With different languages, different behaviors, and different origins?" Inspired by this realization, Tom analyzes the strange universe of the gatherers: This mysterious world of best friends, shopping, and sex. With an immense need to communicate and dry humor and an ironic outlook, Tom also observes the lifestyle of the hunter. He reveals what fulfillment "sitting around without talking" can bring, why men have to channel surf through the TV program, and that a conversation among hunters begins and ends with the words "Let's go to the cellar, bore some stuff."

American Rob Becker wrote the most successful solo piece in Broadway history with CAVEMAN. After being acclaimed by millions of audiences in the United States, the modern caveman is achieving worldwide success. In Germany, the play premiered in 2000 under the direction of Esther Schweins and the translation of Kristian Bader.

Caveman: Martin Luding // Director: Esther Schweins // Original: Rob Becker // Translation: Kristian Bader

A Theater Mogul production.

Stuttgart

2/1/2025
8:15 PM

Tickets

from € 28.00

nomad theatre ensemble - Vati und Mutti – Eine Familiengeschichte

Event Translation

WORLD PREMIERE
“Vati und Mutti – Eine Familiengeschichte” by Marie-Elisabeth Lüdde
A project of the nomad theatre ensemble
With: Stefanie Friedrich | Gundi-Anna Schick | Klaus Gramüller | Jonathan Peller
Directed by: Daniel Klumpp | Set design: Katharina Müller | Lighting design: Alexander Joseph
Premiere: Wed 29.01.2025 - 19.30
Further performances:
Thu 30.01.2025 | Fri 31.01.2025 | Sat 01.02.2025 | Sun 02.02.2025 – each at 19.30
(Audience discussion following on Thu/Fri/Sat)

Vati and Mutti hit their children. “Mutti hits with the wooden spoon. Vati strikes with the carpet beater.” Vati and Mutti rely on “The German Mother and Her First Child.” This guide by the NS education icon Johanna Haarer, first published in 1934, unfortunately remained a bestseller until the 1980s and influenced the childhood of millions of German children. Marie-Elisabeth Lüdde narrates how this played out in practice. She bases her work on two educational diaries she found in her parents' estate. Vati and Mutti documented their beating orgies in writing. Through numerous quotes, the author allows these scandalous diaries to flow into her own narrative. To trace the roots of violence, she also outlines the backstory of her parents. A panorama of Germany in the 20th century unfolds. A compelling voice of the culture of remembrance.

Stuttgart

2/1/2025
7:30 PM

Tickets

from € 19.00

nomad theatre ensemble - Vati und Mutti – Eine Familiengeschichte

Event Translation

WORLD PREMIERE
“Vati und Mutti – Eine Familiengeschichte” by Marie-Elisabeth Lüdde
A project of the nomad theatre ensemble
With: Stefanie Friedrich | Gundi-Anna Schick | Klaus Gramüller | Jonathan Peller
Directed by: Daniel Klumpp | Set design: Katharina Müller | Lighting design: Alexander Joseph
Premiere: Wed 29.01.2025 - 19.30
Further performances:
Thu 30.01.2025 | Fri 31.01.2025 | Sat 01.02.2025 | Sun 02.02.2025 – each at 19.30
(Audience discussion following on Thu/Fri/Sat)

Vati and Mutti hit their children. “Mutti hits with the wooden spoon. Vati strikes with the carpet beater.” Vati and Mutti rely on “The German Mother and Her First Child.” This guide by the NS education icon Johanna Haarer, first published in 1934, unfortunately remained a bestseller until the 1980s and influenced the childhood of millions of German children. Marie-Elisabeth Lüdde narrates how this played out in practice. She bases her work on two educational diaries she found in her parents' estate. Vati and Mutti documented their beating orgies in writing. Through numerous quotes, the author allows these scandalous diaries to flow into her own narrative. To trace the roots of violence, she also outlines the backstory of her parents. A panorama of Germany in the 20th century unfolds. A compelling voice of the culture of remembrance.