Basically, it should of course be called: A bow to the phenomenon Leonard Cohen, the Canadian singer-songwriter legend, who was so much more: a writer, poet, painter...

Where do you end up when you embark on a search for this phenomenon?

The Humility "There's a crack in everything, that's how the light gets in" – a quote that summarizes Cohen well. Darkness and light. An artist who struggles with depression throughout his life and yet never loses his sense of humor, neither in his lyrics nor on stage. Always at peace with himself, humble. Even in his last interviews, he talks about how he cannot sing and never could. You can search for a long time and find no scandals triggered by him – very untypical for a rock star of his caliber. Although “folk star” would probably be the more accurate description. Where does this humility come from, and how does it influence his work?

The Language One cannot speak of Cohen without mentioning the language and the significance it held for him. He repeatedly states, as he was initially an author, that language is the driving force for him, and poetry is his great theme – which is why there is a story behind almost every Cohen song. Not a single song is incidental, none is written without great significance. On the contrary, isn't there always a (often personal) story behind it or a philosophical engagement?

The Women In the press, Cohen is described as “obsessed with them.” He repeatedly dedicates songs to the women in his life - who are these people that inspired, supported, and promoted him, and what are their shared stories?

“A Thousand Kisses Deep” explores these questions based on biographical milestones, anecdotes, texts, and – of course – approximately 15 songs. Understanding the phenomenon of Cohen in its entirety is hardly possible, yet one can hope for an approximation.

By and with Kathrin von Steinburg and Jakob Tögel

"The two have not simply reproduced the warmth and spirit (...) without kitsch, but they find their own sound. Especially their duet singing gives a hint of how a depth of a thousand kisses might feel. After 90 minutes, no one really wants to leave..." (Abendzeitung)

Ticket Prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, entrance 1.5 hours before the performance starts

Duration of the performance 1 hour 25 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

Basically, it should of course be called: A bow to the phenomenon Leonard Cohen, the Canadian singer-songwriter legend, who was so much more: a writer, poet, painter...

Where do you end up when you embark on a search for this phenomenon?

The Humility "There's a crack in everything, that's how the light gets in" – a quote that summarizes Cohen well. Darkness and light. An artist who struggles with depression throughout his life and yet never loses his sense of humor, neither in his lyrics nor on stage. Always at peace with himself, humble. Even in his last interviews, he talks about how he cannot sing and never could. You can search for a long time and find no scandals triggered by him – very untypical for a rock star of his caliber. Although “folk star” would probably be the more accurate description. Where does this humility come from, and how does it influence his work?

The Language One cannot speak of Cohen without mentioning the language and the significance it held for him. He repeatedly states, as he was initially an author, that language is the driving force for him, and poetry is his great theme – which is why there is a story behind almost every Cohen song. Not a single song is incidental, none is written without great significance. On the contrary, isn't there always a (often personal) story behind it or a philosophical engagement?

The Women In the press, Cohen is described as “obsessed with them.” He repeatedly dedicates songs to the women in his life - who are these people that inspired, supported, and promoted him, and what are their shared stories?

“A Thousand Kisses Deep” explores these questions based on biographical milestones, anecdotes, texts, and – of course – approximately 15 songs. Understanding the phenomenon of Cohen in its entirety is hardly possible, yet one can hope for an approximation.

By and with Kathrin von Steinburg and Jakob Tögel

"The two have not simply reproduced the warmth and spirit (...) without kitsch, but they find their own sound. Especially their duet singing gives a hint of how a depth of a thousand kisses might feel. After 90 minutes, no one really wants to leave..." (Abendzeitung)

Ticket Prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, entrance 1.5 hours before the performance starts

Duration of the performance 1 hour 25 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

Basically, it should of course be called: A bow to the phenomenon Leonard Cohen, the Canadian singer-songwriter legend, who was so much more: a writer, poet, painter...

Where do you end up when you embark on a search for this phenomenon?

The Humility "There's a crack in everything, that's how the light gets in" – a quote that summarizes Cohen well. Darkness and light. An artist who struggles with depression throughout his life and yet never loses his sense of humor, neither in his lyrics nor on stage. Always at peace with himself, humble. Even in his last interviews, he talks about how he cannot sing and never could. You can search for a long time and find no scandals triggered by him – very untypical for a rock star of his caliber. Although “folk star” would probably be the more accurate description. Where does this humility come from, and how does it influence his work?

The Language One cannot speak of Cohen without mentioning the language and the significance it held for him. He repeatedly states, as he was initially an author, that language is the driving force for him, and poetry is his great theme – which is why there is a story behind almost every Cohen song. Not a single song is incidental, none is written without great significance. On the contrary, isn't there always a (often personal) story behind it or a philosophical engagement?

The Women In the press, Cohen is described as “obsessed with them.” He repeatedly dedicates songs to the women in his life - who are these people that inspired, supported, and promoted him, and what are their shared stories?

“A Thousand Kisses Deep” explores these questions based on biographical milestones, anecdotes, texts, and – of course – approximately 15 songs. Understanding the phenomenon of Cohen in its entirety is hardly possible, yet one can hope for an approximation.

By and with Kathrin von Steinburg and Jakob Tögel

"The two have not simply reproduced the warmth and spirit (...) without kitsch, but they find their own sound. Especially their duet singing gives a hint of how a depth of a thousand kisses might feel. After 90 minutes, no one really wants to leave..." (Abendzeitung)

Ticket Prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, entrance 1.5 hours before the performance starts

Duration of the performance 1 hour 25 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

The full life and work of Presley are difficult to grasp. Sebastian Griegel and Andreas Lenz von Ungern-Sternberg do not even try, but instead approach the icon through pictures, anecdotes, and of course, songs.

Starting with the nervous teenager who knows everything, sings everything, and at 19 years old records his first demo record for $8.25 at Sam Phillips' Memphis Recording Service, impressing the assistant so much that she notes down his name and address. A year later, now already with Scotty Moore and Bill Black by his side, he meets Sam Phillips personally in the studio, who is so taken with him that he records a jam session of the trio and sends it to the most well-known DJ in the city, who turns the record into a regional hit: with "That's All Right," the rockabilly sound is born, and Elvis's career begins. It takes him from club performances, regional concerts, record recordings, sold-out tours, and appearances in the most famous American TV shows to the top of the charts, into the hearts of all teenagers, and ultimately to the film business, all in just three years.

But Sebastian and Andreas also recount Presley’s stationing in Germany, his first contact there with amphetamines, his return to the USA, the sensational restart in new attire and new style, and his troubled time in Las Vegas.

"Burning Love" - these are 25 songs from Presley’s life, each with its own story and significance for the career of this musical legend.

By and with Sebastian Griegel and Andreas Lenz von Ungern-Sternberg
Costumes Cornelia Petz

"Griegel and Ungern-Sternberg approach the King and his legendary hits with a lot of vigor and flair, proving to be gifted interpreters of titles familiar to probably every inhabitant of the globe." (Münchner Merkur)

Admission prices
€ 20
reduced € 15
junior reduced € 10 (for students, trainees, and apprentices up to the age of 27)

Free seating in the Café Metropol, doors open 1.5 hours before the show begins

Duration of the performance is about 1 hour and 30 minutes (no intermission)

Production and organizer: Metropoltheater München gGmbH

"Something is happening here, but you don’t know what it is."

So it probably went for the parents at the aborted school concert in Hibbing in 1959, the guests at Cafe Wha? in 1961, the visitors of the Newport Folk Festival in 1965, and many who have ever experienced the musical phenomenon Bob Dylan live.

Daniel Holzberg takes us on a kaleidoscopic journey of impressions: songs, lyrics, prophecies, anecdotes, and statements from an iconic artist who has captivated his fans as often as he has escaped their expectations.

"Don't Think Twice" leads us from Dylan's beginnings in folk music through the sudden reversal (perhaps also return) to rock 'n' roll to his status as one of the most versatile songwriters of our time. And it addresses the most important questions: What influence did he have at a very young age on the music of the 60s, what did he mean to many people from that era, and what significance was imposed on him - the mouthpiece of a generation, prophet, threat to society, organic farmer?

All "truths" about Bob Dylan will be viewed from different perspectives this evening and remain elastic - after winning the Oscar and Nobel Prize in Literature, the legendary musician wins the prize of elusiveness.

Conversely, Daniel's love for Dylan's vivid lyrics and catchy songs is tangible, as he is not focused on copying but rather on an attempt at spiritual contact with this exceptional figure of the music business.

In total, he will play 20 songs (from over 800 possible!), lamenting the world with dylan-esque disillusionment, while also paying tribute to his role models, companions, and critics, including Joan Baez, Pete Seeger, Allen Ginsberg, Mr. Jones, and of course Woody Guthrie.

By and with Daniel Holzberg

Musical advice Andreas Lenz von Ungern-Sternberg

Admission prices
€ 20 | € 25
reduced € 15 | € 20
junior reduced € 10 | € 15 (for students, trainees, FSJ participants, and apprentices up to the age of 27)

Production and organizer: Metropoltheater München gGmbH

"Something is happening here, but you don’t know what it is."

So it probably went for the parents at the aborted school concert in Hibbing in 1959, the guests at Cafe Wha? in 1961, the visitors of the Newport Folk Festival in 1965, and many who have ever experienced the musical phenomenon Bob Dylan live.

Daniel Holzberg takes us on a kaleidoscopic journey of impressions: songs, lyrics, prophecies, anecdotes, and statements from an iconic artist who has captivated his fans as often as he has escaped their expectations.

"Don't Think Twice" leads us from Dylan's beginnings in folk music through the sudden reversal (perhaps also return) to rock 'n' roll to his status as one of the most versatile songwriters of our time. And it addresses the most important questions: What influence did he have at a very young age on the music of the 60s, what did he mean to many people from that era, and what significance was imposed on him - the mouthpiece of a generation, prophet, threat to society, organic farmer?

All "truths" about Bob Dylan will be viewed from different perspectives this evening and remain elastic - after winning the Oscar and Nobel Prize in Literature, the legendary musician wins the prize of elusiveness.

Conversely, Daniel's love for Dylan's vivid lyrics and catchy songs is tangible, as he is not focused on copying but rather on an attempt at spiritual contact with this exceptional figure of the music business.

In total, he will play 20 songs (from over 800 possible!), lamenting the world with dylan-esque disillusionment, while also paying tribute to his role models, companions, and critics, including Joan Baez, Pete Seeger, Allen Ginsberg, Mr. Jones, and of course Woody Guthrie.

By and with Daniel Holzberg

Musical advice Andreas Lenz von Ungern-Sternberg

Admission prices
€ 20 | € 25
reduced € 15 | € 20
junior reduced € 10 | € 15 (for students, trainees, FSJ participants, and apprentices up to the age of 27)

Production and organizer: Metropoltheater München gGmbH

"Something is happening here, but you don’t know what it is."

So it probably went for the parents at the aborted school concert in Hibbing in 1959, the guests at Cafe Wha? in 1961, the visitors of the Newport Folk Festival in 1965, and many who have ever experienced the musical phenomenon Bob Dylan live.

Daniel Holzberg takes us on a kaleidoscopic journey of impressions: songs, lyrics, prophecies, anecdotes, and statements from an iconic artist who has captivated his fans as often as he has escaped their expectations.

"Don't Think Twice" leads us from Dylan's beginnings in folk music through the sudden reversal (perhaps also return) to rock 'n' roll to his status as one of the most versatile songwriters of our time. And it addresses the most important questions: What influence did he have at a very young age on the music of the 60s, what did he mean to many people from that era, and what significance was imposed on him - the mouthpiece of a generation, prophet, threat to society, organic farmer?

All "truths" about Bob Dylan will be viewed from different perspectives this evening and remain elastic - after winning the Oscar and Nobel Prize in Literature, the legendary musician wins the prize of elusiveness.

Conversely, Daniel's love for Dylan's vivid lyrics and catchy songs is tangible, as he is not focused on copying but rather on an attempt at spiritual contact with this exceptional figure of the music business.

In total, he will play 20 songs (from over 800 possible!), lamenting the world with dylan-esque disillusionment, while also paying tribute to his role models, companions, and critics, including Joan Baez, Pete Seeger, Allen Ginsberg, Mr. Jones, and of course Woody Guthrie.

By and with Daniel Holzberg

Musical advice Andreas Lenz von Ungern-Sternberg

Admission prices
€ 20 | € 25
reduced € 15 | € 20
junior reduced € 10 | € 15 (for students, trainees, FSJ participants, and apprentices up to the age of 27)

Production and organizer: Metropoltheater München gGmbH

"Something is happening here, but you don’t know what it is."

So it probably went for the parents at the aborted school concert in Hibbing in 1959, the guests at Cafe Wha? in 1961, the visitors of the Newport Folk Festival in 1965, and many who have ever experienced the musical phenomenon Bob Dylan live.

Daniel Holzberg takes us on a kaleidoscopic journey of impressions: songs, lyrics, prophecies, anecdotes, and statements from an iconic artist who has captivated his fans as often as he has escaped their expectations.

"Don't Think Twice" leads us from Dylan's beginnings in folk music through the sudden reversal (perhaps also return) to rock 'n' roll to his status as one of the most versatile songwriters of our time. And it addresses the most important questions: What influence did he have at a very young age on the music of the 60s, what did he mean to many people from that era, and what significance was imposed on him - the mouthpiece of a generation, prophet, threat to society, organic farmer?

All "truths" about Bob Dylan will be viewed from different perspectives this evening and remain elastic - after winning the Oscar and Nobel Prize in Literature, the legendary musician wins the prize of elusiveness.

Conversely, Daniel's love for Dylan's vivid lyrics and catchy songs is tangible, as he is not focused on copying but rather on an attempt at spiritual contact with this exceptional figure of the music business.

In total, he will play 20 songs (from over 800 possible!), lamenting the world with dylan-esque disillusionment, while also paying tribute to his role models, companions, and critics, including Joan Baez, Pete Seeger, Allen Ginsberg, Mr. Jones, and of course Woody Guthrie.

By and with Daniel Holzberg

Musical advice Andreas Lenz von Ungern-Sternberg

Admission prices
€ 20 | € 25
reduced € 15 | € 20
junior reduced € 10 | € 15 (for students, trainees, FSJ participants, and apprentices up to the age of 27)

Production and organizer: Metropoltheater München gGmbH

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"

The Earth "has little people" - and because they behave idiotically and thoughtlessly, she is sentenced to destruction by the cosmic court. The comet Konrad is tasked with colliding with the aimless planet. Only the scholar Professor Guck recognizes the dimension of the impending danger and tries to awaken his contemporaries in order to avert the looming catastrophe.

But he encounters arrogance and ignorance everywhere: politicians who expand their power, speculators who increase their profits, and journalists who want to enlarge their reach; along with an amusement-happy global population that does not want to acknowledge all the insights and simply wants to forget all the complicated connections cheerfully.

Guck's adventures in trying to save a reluctant world are so humorous, absurd, and insightful that our present poses the great question about the future of humanity anew - with a laughter that stands up to all despair. And who knows, maybe it will still be possible just before the apocalypse to divert Konrad from his fatal flight path …

Wise, satirical, and always profoundly human - this is how the Austrian writer Jura Soyfer appeared, who was born in 1912 in Kharkiv, Ukraine, and died in the German concentration camp Buchenwald in 1939. For the legendary Viennese cabaret "ABC," he wrote the prophetic one-act play "Weltuntergang" in 1936 - which is now presented here with a lot of music in a coffee house that means the world.

Direction Georg Büttel Stage Thomas Bruner Costumes Sanna Dembowski Musical Direction Andreas Lenz von Ungern-Sternberg Light Hans-Peter Boden Video/Sound Martin Hermann Makeup Katinka Wischnewski

With Michele Cuciuffo, Paul Kaiser, Gerd Lohmeyer, Hubert Schedlbauer, Nathalie Schott, Dascha von Waberer, Mara Widmann

Admission Prices
€ 20 | € 25
Reduced € 15 | € 20
Junior reduced € 10 | € 15 (for students, trainees, and apprentices up to the age of 27)

Production and Organizer: GbR Schöfl et al. "Weltuntergang"