Thursday, 11/7/2024
at 8:00 PM



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Works by Gabrieli, Benevoli, Monteverdi, etc.

Capella de la Torre (Orchestra)
RIAS Chamber Choir Berlin
Robert Hollingworth, Conductor

Tickets: 15,- to 50,-€

Whether St. Peter's Basilica in Rome, St. Mark's in Venice, or the proud Florentine Cathedral: Today we marvel at these grand sacred buildings and are overwhelmed by the artistry of our ancestors. The often vast dimensions of these church spaces also needed to be musically filled, leading to the development of polychorality alongside the construction of these immense churches and cathedrals. Architecture and music inspired and permeated each other, particularly in the 16th and early 17th centuries. The goal of polychoral music initially aimed at producing a voluminous sound event that underscored the uniqueness of the event and place. At the same time, underlying this musical practice were also theological principles: The sacred space and the music resonating within it were meant to refer in their splendor to the multifaceted heavenly glory.

Although the Berlin Cathedral does not originate from the Renaissance period, its vast interior, mighty dome, and the associated acoustics make it well-suited for a performance of polychoral music. Robert Hollingworth, an excellent connoisseur of Italian music around 1600, has included the 16-choir Missa Si Deus pro nobis by Orazio Benevoli in the concert program, a work originally intended for St. Peter's Basilica in Rome. The RIAS Chamber Choir Berlin will be supported in the performance of this work by the Capella de la Torre, which plays on the typical instruments of the Roman "Piffari", namely shawms, pommers, bassoons, and trombones. One can expect a true sound rush from the finale of the evening, the powerful, 40-voice motet Ecce beatam lucem by Alessandro Striggio.

The concert will be recorded by Deutschlandfunk Kultur.


Event data provided by: Kulturkurier

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